
Jakub Hrůša
Music Director
Oliver Mears
Director of Opera
BÜHNENWEIHFESTSPIEL (STAGE CONSECRATION FESTIVAL PLAY) IN THREE ACTS
Saturday 17 October 2026 3pm
Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.
The performance lasts approximately 5 hours and 30 minutes, including two intervals.
110 minutes
40 minutes
70 minutes
30 minutes
80 minutes
Richard Wagner
Richard Wagner
Jakub Hrůša
Evgeny Titov
Etienne Pluss
Esther Bialas
D. M. Wood
Otto Pichler
Christopher Ash
Janine Ortiz
Stanislas de Barbeyrac
Ekaterina Gubanova
Christian Gerhaher
Andreas Bauer Kanabas
replaces Brindley Sherratt
Mark Stone
James Platt
Ryan Vaughan Davies
Jack Sandison
Elizabeth Karani
Lily Mo Browne
Giorgi Guliashvili
Emyr Lloyd Jones
Chelsea Zurflüh
Rhian Lois
Sarah Richmond
Sarah Brady
Marianna Hovanisyan
Ellen Pearson
Nikola Printz
Otto Pichler
John Gorick
Philip O'Gorman
Chris Agha
Sam Alan
David Galea
Timothy Blore
Jack Sandison, Lily Mo Browne, Giorgi Guliashvili, Emyr Lloyd Jones and Ellen Pearson are Jette Parker Artists
Ryan Vaughan Davies replaces Emmanuel Fonoti-Fuimaono and Elizabeth Karani replaces Charlotte Bowden
Royal Opera Chorus
William Spaulding
Magnus Johnston
Orchestra of the Royal Opera House
Rachel Chapman
Shafali Jalota
Kathryn Jenkin
Alison Rayner
Juliet Schiemann
Vanessa Woodfine
Jeanette Ager
Maria Brown
Maria Jones
Clare McCaldin
Jennifer Westwood
Robert Amon
Simon Biazeck
Andrew Busher
Jonathan English
Darrell Forkin
Andrew Friedhoff
James Geer
Andrew Mackenzie-Wicks
Richard Monk
Rory O’Connor
Henry Strutt
Alex Wall
Stefan Berkieta
Mark Campbell-Griffiths
Oscar Castellino
Christopher Foster
Oliver Gibbs
Lawrence Gillians
Gabriel Gottlieb
Gavin Horsley
John Morgan
John Morrissey
Martin Nelson
Paul Parfitt
Mark Saberton
Jochem van Ast
Peter Willcock
Jonathan Wood
Cardinal Vaughan School
Scott Price
Cardinal Vaughan School
Grey Coat Hospital
Tim Lloyd
Grey Coat Hospital
Nick Fletcher
Richard Fu
Susanna Stranders
Simon Iorio
Deborah Cohen
Clara Cohen
Franziska Roth
Anna Morrissey
Mandy Gordon
HM The King
Jakub Hrůša
Oliver Mears
Peter Mario Katona
Netia Jones
Cormac Simms
Amfortas, King of the knights of the Grail, suffers from a wound that will not heal. The Grail community guards two sacred relics: the Holy Grail (Christ’s cup from the Last Supper), and the spear that pierced his side on the cross. Klingsor once sought admission to the Grail brotherhood. Unable to achieve the required chastity, he castrated himself but was still denied admission. He became their enemy, creating an enchanted realm to lure the knights from their vows. Amfortas set out to defeat Klingsor but was seduced by Kundry, allowing Klingsor to seize the sacred spear and wound him. Only the same spear can heal the wound. A prophecy promises Amfortas salvation through a ‘pure fool, made wise through compassion’.
As Amfortas is carried to the lake, where bathing eases the pain of his wound, Kundry arrives with a balm for him. Wild and mysterious, she has found refuge in serving the Grail community. Soon a young stranger appears, pursued by Grail Knights for killing a swan in their sacred forest. The elder knight Gurnemanz confronts him with the suffering he has caused. The young man knows almost nothing about himself, not even his name. Kundry tells him that his father, Gamuret, died before his birth and his mother, Herzeleide, raised him alone. When she reveals that Herzeleide died after her son abandoned her, the young man reacts with horror and rage, attacking Kundry until Gurnemanz restrains him.Suspecting the stranger might be the prophesied ‘pure fool’, Gurnemanz takes him to witness the Grail ceremony. Amfortas’s father Titurel commands him to unveil the Grail, renewing the community’s strength but also prolonging Amfortas’s life and agony. Amfortas resists the ritual, longing for death, but finally submits. The young man watches Amfortas’s suffering with profound distress, yet cannot understand what he has experienced. Disappointed, Gurnemanz drives him away.
Klingsor sees the young stranger approaching and summons Kundry, who is under his power. He orders her to seduce him, as she once seduced Amfortas. Kundry resists, but Klingsor forces her to obey. The young man defeats Klingsor’s knights and enters an enchanted garden, where the Flowermaidens compete for his attention. Kundry calls him by his forgotten name, ‘Parsifal’, awakening childhood memories. She reveals that after Gamuret’s death, Herzeleide raised him far from weapons and war to protect him from his father’s fate. Kundry describes his mother’s devotion and the grief Parsifal’s departure caused her. He, in return, grasps his own part in her suffering. Kundry offers him a kiss, invoking his mother’s love while awakening sexual desire. Suddenly Parsifal understands the suffering he witnessed at the Grail: confronted with the same woman and the same temptation to which Amfortas succumbed, he experiences Amfortas’s agony as his own. Through compassion, the ‘pure fool’ has become wise.Parsifal rejects Kundry. She reveals that she once laughed at Christ on his way to the cross and has since been condemned to pass through life after life, remembering her past existences. Longing for release, she begs Parsifal to give himself to her, but he understands that yielding would only repeat Amfortas’s fall. Kundry calls for Klingsor, who hurls the sacred spear at Parsifal. Parsifal seizes it, and Klingsor’s realm collapses.
Years have passed. The Grail community is in decline: Amfortas refuses to unveil the Grail, since doing so would prolong his suffering. Deprived of its life-giving power, Titurel has died and the knights have lost their strength. Gurnemanz lives as a hermit. On Good Friday he finds Kundry, who has returned once more and asks only to serve.A stranger approaches with the sacred spear. Gurnemanz recognises Parsifal, finally returned after years of wandering. Learning what has happened, Parsifal grieves that he has returned too late. Kundry washes Parsifal’s feet, and Gurnemanz anoints him King of the Grail. Parsifal baptises Kundry, who sinks lifeless to the ground, finally released from her cycle of successive lives. The knights carry in Titurel’s body and demand that Amfortas unveil the Grail. He refuses, begging them to kill him rather than prolong his agony. Parsifal touches Amfortas’s wound with the sacred spear, bringing his suffering to an end.
This production contains nudity, blood, violence and self-harm. There are pyrotechnics used in Act II.
Sung in German with English surtitles, which are displayed on screens above the stage and around the auditorium.
Exceptional philanthropic support from Mr Stefan Sten Olsson and Mr John Tierney and Royal Ballet and Opera Principal The Julia Rausing TrustGenerous philanthropic support from Philipp Freise, Athena P S Ko, John McGinn and Cary Davis, The Thompson Family Charitable Trust, The Parsifal Production Syndicate, The Wagner Circle and Royal Ballet and Opera Patrons
The role of Parsifal is generously supported by Malcolm Herring
We are working hard on our commitment towards becoming more sustainable and are striving for our net zero goal of 2035. By using digital cast sheets and e-tickets, we have reduced our paper consumption by over five tonnes per year. You can view our digital cast sheets on a computer, tablet or smartphone by scanning the QR codes displayed around the building using your smartphone’s camera app. They are also displayed on screens outside the auditoria. Cast sheets are generously supported by the Royal Opera House Endowment Fund.
Photography and filming are prohibited during performances in any of our auditoriums. You are welcome to take pictures throughout the rest of the building and before performances and share them with us through social media. Commercial photography and filming must be agreed in advance with our press team.
Larger bags and backpacks need to be check into our complimentary cloakrooms. Unattended bags may be removed.
Please do not place any personal belongings on the ledges in front of you.
Only bottled water and ice cream purchased from the premises can be taken into the auditorium.
If you arrive late to the auditorium or leave during a performance, you will not be allowed back to your seat until the interval or a suitable break.
Smoking and vaping are not permitted anywhere on the premises.
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