RBO crest

The Royal Opera

Music Director

Jakub Hrůša

Director of Opera

Oliver Mears

Parsifal

BÜHNENWEIHFESTSPIEL (STAGE CONSECRATION FESTIVAL PLAY) IN THREE ACTS

Cast sheet

Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.

Approximate timings

The performance lasts approximately 5 hours and 30 minutes, including two intervals.

Act I

110 minutes

Interval

40 minutes

Act II

70 minutes

Interval

30 minutes

Act III

80 minutes

Credits

Composer

Richard Wagner

Libretto

Richard Wagner

Conductor

Jakub Hrůša

Director

Evgeny Titov

Set Designer

Etienne Pluss

Costume Designer

Esther Bialas

Lighting Designer

D. M. Wood

Movement Director

Otto Pichler

Video Designer

Christopher Ash

Dramaturg

Janine Ortiz

Cast

Parsifal

Stanislas de Barbeyrac

Kundry

Ekaterina Gubanova

Amfortas

Christian Gerhaher

Gurnemanz

Andreas Bauer Kanabas

replaces Brindley Sherratt

Klingsor

Mark Stone

Titurel

James Platt

First Knight

Ryan Vaughan Davies

Second Knight

Jack Sandison

First Esquire

Elizabeth Karani

Second Esquire

Lily Mo Browne

Third Esquire

Giorgi Guliashvili

Fourth Esquire

Emyr Lloyd Jones

Flowermaidens

Chelsea Zurflüh, Rhian Lois, Sarah Richmond, Sarah Brady, Marianna Hovanisyan, Ellen Pearson

Voice from Above

Nikola Printz

Mama Flower (Video)

Otto Pichler

Actors

John Gorick, Philip O'Gorman, Chris Agha, Sam Alan, David Galea, Timothy Blore

Jack Sandison, Lily Mo Browne, Giorgi Guliashvili, Emyr Lloyd Jones and Ellen Pearson are Jette Parker Artists

Ryan Vaughan Davies replaces Emmanuel Fonoti-Fuimaono and Elizabeth Karani replaces Charlotte Bowden

Chorus and Orchestra

Chorus

Royal Opera Chorus

Chorus Director

William Spaulding

Concert Master

Magnus Johnston

Orchestra

Orchestra of the Royal Opera House

Extra Chorus

Sopranos

Rachel Chapman, Shafali Jalota, Kathryn Jenkin, Alison Rayner, Juliet Schiemann, Vanessa Woodfine

Mezzo-sopranos

Jeanette Ager, Maria Brown, Maria Jones, Clare McCaldin, Jennifer Westwood

Tenors

Robert Amon, Simon Biazeck, Andrew Busher, Jonathan English, Darrell Forkin, Andrew Friedhoff, James Geer, Andrew Mackenzie-Wicks, Richard Monk, Rory O’Connor, Henry Strutt, Alex Wall

Basses

Stefan Berkieta, Mark Campbell-Griffiths, Oscar Castellino, Christopher Foster, Oliver Gibbs, Lawrence Gillians, Gabriel Gottlieb, Gavin Horsley, John Morgan, John Morrissey, Martin Nelson, Paul Parfitt, Mark Saberton, Jochem van Ast, Peter Willcock, Jonathan Wood

Children’s Chorus

Children’s Chorus

Cardinal Vaughan School

Musical Director

Cardinal Vaughan School

Scott Price

Children’s Chorus

Grey Coat Hospital

Musical Director

Grey Coat Hospital

Tim Lloyd

Production credits

Music preparation

Nick Fletcher, Richard Fu, Susanna Stranders

Assistant Directors

Simon Iorio, Deborah Cohen

Assistant to the Set Designer

Clara Cohen

Language Coach

Franziska Roth

Intimacy Director

Anna Morrissey

Associate Intimacy Director

Mandy Gordon

Amfortas, King of the knights of the Grail, suffers from a wound that will not heal...

Amfortas, King of the knights of the Grail, suffers from a wound that will not heal. The Grail community guards two sacred relics: the Holy Grail (Christ’s cup from the Last Supper), and the spear that pierced his side on the cross. Klingsor once sought admission to the Grail brotherhood. Unable to achieve the required chastity, he castrated himself but was still denied admission. He became their enemy, creating an enchanted realm to lure the knights from their vows. Amfortas set out to defeat Klingsor but was seduced by Kundry, allowing Klingsor to seize the sacred spear and wound him. Only the same spear can heal the wound. A prophecy promises Amfortas salvation through a ‘pure fool, made wise through compassion’.

ACT I: THE REALM OF THE GRAIL

As Amfortas is carried to the lake, where bathing eases the pain of his wound, Kundry arrives with a balm for him. Wild and mysterious, she has found refuge in serving the Grail community. Soon a young stranger appears, pursued by Grail Knights for killing a swan in their sacred forest. The elder knight Gurnemanz confronts him with the suffering he has caused. The young man knows almost nothing about himself, not even his name. Kundry tells him that his father, Gamuret, died before his birth and his mother, Herzeleide, raised him alone. When she reveals that Herzeleide died after her son abandoned her, the young man reacts with horror and rage, attacking Kundry until Gurnemanz restrains him.

Suspecting the stranger might be the prophesied ‘pure fool’, Gurnemanz takes him to witness the Grail ceremony. Amfortas’s father Titurel commands him to unveil the Grail, renewing the community’s strength but also prolonging Amfortas’s life and agony. Amfortas resists the ritual, longing for death, but finally submits. The young man watches Amfortas’s suffering with profound distress, yet cannot understand what he has experienced. Disappointed, Gurnemanz drives him away.


ACT II: KLINGSOR’S REALM


Klingsor sees the young stranger approaching and summons Kundry, who is under his power. He orders her to seduce him, as she once seduced Amfortas. Kundry resists, but Klingsor forces her to obey. The young man defeats Klingsor’s knights and enters an enchanted garden, where the Flowermaidens compete for his attention. Kundry calls him by his forgotten name, ‘Parsifal’, awakening childhood memories. She reveals that after Gamuret’s death, Herzeleide raised him far from weapons and war to protect him from his father’s fate. Kundry describes his mother’s devotion and the grief Parsifal’s departure caused her. He, in return, grasps his own part in her suffering. Kundry offers him a kiss, invoking his mother’s love while awakening sexual desire. Suddenly Parsifal understands the suffering he witnessed at the Grail: confronted with the same woman and the same temptation to which Amfortas succumbed, he experiences Amfortas’s agony as his own. Through compassion, the ‘pure fool’ has become wise.

Parsifal rejects Kundry. She reveals that she once laughed at Christ on his way to the cross and has since been condemned to pass through life after life, remembering her past existences. Longing for release, she begs Parsifal to give himself to her, but he understands that yielding would only repeat Amfortas’s fall. Kundry calls for Klingsor, who hurls the sacred spear at Parsifal. Parsifal seizes it, and Klingsor’s realm collapses.

ACT III: THE REALM OF THE GRAIL

Years have passed. The Grail community is in decline: Amfortas refuses to unveil the Grail, since doing so would prolong his suffering. Deprived of its life-giving power, Titurel has died and the knights have lost their strength. Gurnemanz lives as a hermit. On Good Friday he finds Kundry, who has returned once more and asks only to serve.

A stranger approaches with the sacred spear. Gurnemanz recognises Parsifal, finally returned after years of wandering. Learning what has happened, Parsifal grieves that he has returned too late. Kundry washes Parsifal’s feet, and Gurnemanz anoints him King of the Grail. Parsifal baptises Kundry, who sinks lifeless to the ground, finally released from her cycle of successive lives. The knights carry in Titurel’s body and demand that Amfortas unveil the Grail. He refuses, begging them to kill him rather than prolong his agony. Parsifal touches Amfortas’s wound with the sacred spear, bringing his suffering to an end.

Guidance

This production contains nudity, blood, violence and self-harm. There are pyrotechnics used in Act II.

Language

Sung in German with English surtitles, which are displayed on screens above the stage and around the auditorium.

Further information