Jakub Hrůša
Music Director Designate
Oliver Mears
Director of Opera
OPERA IN FIVE ACTS
Sunday 25 May 2025 5.15pm
The 474th performance by The Royal Opera at the Royal Opera House.
Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.
The performance lasts approximately 3 hours and 40 minutes, including one interval
60 minutes
55 minutes
30 minutes
75 minutes
A co-production with Opéra de Monte-Carlo, Opéra de Lille and Fondazione Teatro Lirico Giuseppe Verdi, Trieste
Charles-François Gounod
Jules Barbier
Michel Carré
after Carré’s Faust et Marguerite and Johann Wolfgang von Goethe’s Faust Part I
Maurizio Benini
David McVicar
Peter Relton
Charles Edwards
Brigitte Reiffenstuel
Paule Constable
Michael Keegan-Dolan
Emmanuel Obeya
Performance materials for Faust edited by Paul Prévost, published by Bärenreiter Verlag, Kassel. Performed by arrangement with Faber Music Ltd, London
Stefan Pop
Adam Palka
replaces Erwin Schrott
Carolina López Moreno
replaces Lisette Oropesa
Boris Pinkhasovich
Hongni Wu
Monika-Evelin Liiv
replaces Rosie Aldridge
Ossian Huskinson
Azzurra Caccetta
Matthew Daw
Irene Hardy
Becky Scarrott
Sirena Tocco
Vlad Troncea
James Unsworth
Addis Williams
Natasha Chu
Krystine Cunningham
Olivia Devine
Viva Foster
Megan Griffiths
Keiko Hewitt-Teale
Mette Nilsen
Belinda Roy
Anna Smith
Natasha Trigg
Harry Wilson
Ena Yamaguchi
Prince Conteh
Arlisa Ebeja
Jasper Franklin
Francesca Higginschiappetta
Ivy Legroux
Elliot Michael
Maguette Ndiaye
Laurence Salmon
Ossian Huskinson is a Jette Parker Artist
Royal Opera Chorus
William Spaulding
Orchestra of the Royal Opera House
Sergey Levitin
Bernadette Lord
Juliet Schiemann
Vanessa Woodfine
Jeanette Ager
Maria Brown
Phillip Bell
Simon Biazeck
Edmond Choo
Andrew Friedhoff
Elliot Goldie
Michael Burke
Oliver Gibbs
Gavin Horsley
Jochem van Ast
Jon Wood
Thomas Blunt
Nicholas Ansdell-Evans
Emma Doherty
Kate Scott
Terry King
Ingrid Mackinnon
Sonja Nerdrum
HM The King
Jakub Hrůša
Oliver Mears
Peter Mario Katona
Netia Jones
Cormac Simms
ACT IWeary of life and the vain pursuit of knowledge, the aged Faust decides on suicide. He is stopped in his tracks by the light of dawn and voices singing God’s praises. Faust bitterly renounces God and calls on Satan. Méphistophélès duly appears. He will satisfy Faust’s hedonistic demands in return for the philosopher’s soul. Hesitating at the last moment before signing the diabolic contract, Faust is finally swayed by a vision conjured up by Méphistophélès of the beautiful and innocent Marguerite: Faust must have her.ACT IIThe town is celebrating. In their midst, Valentin is preoccupied with thoughts of leaving to fight in the war. He asks his friends to look after his sister Marguerite while he is away; among them is Siébel, who is in love with her. They are interrupted by Méphistophélès, who sings a blasphemous song and makes innuendos about Marguerite. This is too much for Valentin who is roused to defend his sister and attack Méphistophélès, but his sword breaks mid-air and everyone hastily withdraws. Méphistophélès is joined by Faust; when Marguerite appears she rejects Faust’s attentions.ACT IIISiébel leaves a bouquet of flowers for Marguerite. Next, Faust extols the virtues of Marguerite’s home while Méphistophélès also finds something to leave her: a box full of jewels. Marguerite appears, lost in thought, but is overcome with excitement as she discovers the jewel box and tries on its contents. Marthe Schwertlein, Marguerite’s neighbour, thinks that the jewels must be from an admirer. When both women are joined by Méphistophélès and Faust, the former distracts Marthe so that Faust can seduce Marguerite.INTERVALACT IVFive months have passed. Marguerite has been deserted by Faust, but is carrying his child. In church, her prayers are repeatedly interrupted by demons. She faints as Méphistophélès’s final curse denies her the hope of salvation. Soldiers return from the war, Valentin among them. He asks Siébel to tell him how his sister is, but Siébel’s evasions prompt him angrily to rush into Marguerite’s house to find out for himself. Méphistophélès and Faust arrive, and the Devil satirically serenades Marguerite. Valentin emerges from the house demanding to know who is responsible for his sister’s shame. In the ensuing duel, Faust mortally wounds Valentin, who with his final words denies Marguerite any Christian compassion and damns her for eternity.ACT VIt is Walpurgis Night and a diabolic ballet ensues. Faust is subjected to visions, the last of which is of Marguerite in prison for the murder of their child and awaiting execution. Faust wants to go to her, and Méphistophélès obliges. Together in the cell, Faust and Marguerite remember their shared moments of love and Faust urges her to flee with him, but she resists, calling for divine protection. Marguerite’s supplication is answered: her soul ascends to heaven.
Suitable for ages 12+
Contains depictions of religious icons that some may find offensive. There are stylized depictions of sexual violence, drug use and infant death. There is a gunshot in the performance.
Sung in French with English surtitles. Captions and translations in English will be displayed on screens above the stage and around the auditorium.
Exceptional philanthropic support from Royal Ballet and Opera Principal Julia Rausing Trust
With the generous support of Aline Foriel-Destezet Season Principal
Generous philanthropic support from Dr Michael Engel, Mrs Trevor Swete and Royal Ballet And Opera Patrons
We are working hard on our commitment towards becoming more sustainable and are striving for our net zero goal of 2035. By using digital cast sheets and e-tickets, we have reduced our paper consumption by over five tonnes per year. You can view our digital cast sheets on a computer, tablet or smartphone by scanning the QR codes displayed around the building using your smartphone’s camera app. They are also displayed on screens outside the auditoria. Cast sheets are generously supported by the Royal Opera House Endowment Fund.
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