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The Royal Opera

  • Jakub Hrůša

    Music Director Designate

  • Oliver Mears

    Director of Opera

Faust

OPERA IN FIVE ACTS

Sunday 25 May 2025 5.15pm

The 474th performance by The Royal Opera at the Royal Opera House.

Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.

Approximate Timings

The performance lasts approximately 3 hours and 40 minutes, including one interval

  • Act I and II

    60 minutes

  • Act III

    55 minutes

  • Interval

    30 minutes

  • Act IV and V

    75 minutes


A co-production with Opéra de Monte-Carlo, Opéra de Lille and Fondazione Teatro Lirico Giuseppe Verdi, Trieste

Credits

  • Music

    Charles-François Gounod

  • Libretto

    Jules Barbier

    Michel Carré

    after Carré’s Faust et Marguerite and Johann Wolfgang von Goethe’s Faust Part I

  • Conductor

    Maurizio Benini

  • Director

    David McVicar

  • Revival Director

    Peter Relton

  • Set designer

    Charles Edwards

  • Costume Designer

    Brigitte Reiffenstuel

  • Lighting Designer

    Paule Constable

  • Choreographer

    Michael Keegan-Dolan

  • Revival Choreographer

    Emmanuel Obeya

Performance materials for Faust edited by Paul Prévost, published by Bärenreiter Verlag, Kassel. Performed by arrangement with Faber Music Ltd, London

Cast

  • Faust

    Stefan Pop

  • Méphistophélès

    Adam Palka

    replaces Erwin Schrott

  • Marguerite

    Carolina López Moreno

    replaces Lisette Oropesa

  • Valentin

    Boris Pinkhasovich

  • Siébel

    Hongni Wu

  • Marthe Schwertlein

    Monika-Evelin Liiv

    replaces Rosie Aldridge

  • Wagner

    Ossian Huskinson

  • Actors

    Azzurra Caccetta

    Matthew Daw

    Irene Hardy

    Becky Scarrott

    Sirena Tocco

    Vlad Troncea

    James Unsworth

    Addis Williams

  • Dancers

    Natasha Chu

    Krystine Cunningham

    Olivia Devine

    Viva Foster

    Megan Griffiths

    Keiko Hewitt-Teale

    Mette Nilsen

    Belinda Roy

    Anna Smith

    Natasha Trigg

    Harry Wilson

    Ena Yamaguchi

  • Children

    Prince Conteh

    Arlisa Ebeja

    Jasper Franklin

    Francesca Higginschiappetta

    Ivy Legroux

    Elliot Michael

    Maguette Ndiaye

    Laurence Salmon

Ossian Huskinson is a Jette Parker Artist

Music credits

  • Chorus

    Royal Opera Chorus

  • Chorus Director

    William Spaulding

  • Orchestra

    Orchestra of the Royal Opera House

  • Concert Master

    Sergey Levitin

Extra chorus

  • Sopranos

    Bernadette Lord

    Juliet Schiemann

    Vanessa Woodfine

  • Mezzo-sopranos

    Jeanette Ager

    Maria Brown

  • Tenors

    Phillip Bell

    Simon Biazeck

    Edmond Choo

    Andrew Friedhoff

    Elliot Goldie

  • Basses

    Michael Burke

    Oliver Gibbs

    Gavin Horsley

    Jochem van Ast

    Jon Wood

Production credits

  • Music preparation

    Thomas Blunt

    Nicholas Ansdell-Evans

  • Assistant Director

    Emma Doherty

  • Assistant to the Revival Choreographer

    Kate Scott

  • Fight Director

    Terry King

  • Intimacy Co-ordinator

    Ingrid Mackinnon

  • Language Coach

    Sonja Nerdrum

The Royal Opera

  • Patron

    HM The King

  • Music Director Designate

    Jakub Hrůša

  • Director of Opera

    Oliver Mears

  • Director of Casting

    Peter Mario Katona

  • Associate Director

    Netia Jones

  • Administrative Director

    Cormac Simms

Synopsis

ACT IWeary of life and the vain pursuit of knowledge, the aged Faust decides on suicide. He is stopped in his tracks by the light of dawn and voices singing God’s praises. Faust bitterly renounces God and calls on Satan. Méphistophélès duly appears. He will satisfy Faust’s hedonistic demands in return for the philosopher’s soul. Hesitating at the last moment before signing the diabolic contract, Faust is finally swayed by a vision conjured up by Méphistophélès of the beautiful and innocent Marguerite: Faust must have her.ACT IIThe town is celebrating. In their midst, Valentin is preoccupied with thoughts of leaving to fight in the war. He asks his friends to look after his sister Marguerite while he is away; among them is Siébel, who is in love with her. They are interrupted by Méphistophélès, who sings a blasphemous song and makes innuendos about Marguerite. This is too much for Valentin who is roused to defend his sister and attack Méphistophélès, but his sword breaks mid-air and everyone hastily withdraws. Méphistophélès is joined by Faust; when Marguerite appears she rejects Faust’s attentions.ACT IIISiébel leaves a bouquet of flowers for Marguerite. Next, Faust extols the virtues of Marguerite’s home while Méphistophélès also finds something to leave her: a box full of jewels. Marguerite appears, lost in thought, but is overcome with excitement as she discovers the jewel box and tries on its contents. Marthe Schwertlein, Marguerite’s neighbour, thinks that the jewels must be from an admirer. When both women are joined by Méphistophélès and Faust, the former distracts Marthe so that Faust can seduce Marguerite.INTERVALACT IVFive months have passed. Marguerite has been deserted by Faust, but is carrying his child. In church, her prayers are repeatedly interrupted by demons. She faints as Méphistophélès’s final curse denies her the hope of salvation. Soldiers return from the war, Valentin among them. He asks Siébel to tell him how his sister is, but Siébel’s evasions prompt him angrily to rush into Marguerite’s house to find out for himself. Méphistophélès and Faust arrive, and the Devil satirically serenades Marguerite. Valentin emerges from the house demanding to know who is responsible for his sister’s shame. In the ensuing duel, Faust mortally wounds Valentin, who with his final words denies Marguerite any Christian compassion and damns her for eternity.ACT VIt is Walpurgis Night and a diabolic ballet ensues. Faust is subjected to visions, the last of which is of Marguerite in prison for the murder of their child and awaiting execution. Faust wants to go to her, and Méphistophélès obliges. Together in the cell, Faust and Marguerite remember their shared moments of love and Faust urges her to flee with him, but she resists, calling for divine protection. Marguerite’s supplication is answered: her soul ascends to heaven.

Guidance

Suitable for ages 12+

Contains depictions of religious icons that some may find offensive. There are stylized depictions of sexual violence, drug use and infant death. There is a gunshot in the performance.

Language

Sung in French with English surtitles. Captions and translations in English will be displayed on screens above the stage and around the auditorium.

Generous support from

Further information

DIGITAL CAST SHEETS

We are working hard on our commitment towards becoming more sustainable and are striving for our net zero goal of 2035. By using digital cast sheets and e-tickets, we have reduced our paper consumption by over five tonnes per year. You can view our digital cast sheets on a computer, tablet or smartphone by scanning the QR codes displayed around the building using your smartphone’s camera app. They are also displayed on screens outside the auditoria. Cast sheets are generously supported by the Royal Opera House Endowment Fund.

GUIDELINES

Photography and filming are prohibited during performances in any of our auditoriums. You are welcome to take pictures throughout the rest of the  building and before performances and share them with us through social media. Commercial photography and filming must be agreed in advance with our press team.

Larger bags and backpacks need to be check into our complimentary cloakrooms. Unattended bags may be removed.

Please do not place any personal belongings on the ledges in front of you.

Only bottled water and ice cream purchased from the premises can be taken into the auditorium.

If you arrive late to the auditorium or leave during a performance, you will not be allowed back to your seat until the interval or a suitable break.

Smoking and vaping are not permitted anywhere on the premises.

The safety of our visitors, staff and artists is our priority. To help us provide a comfortable experience for everyone, please be mindful of others and their personal space.

Our staff are committed to treating everyone with dignity and respect and we ask that you show them and your fellow audience members respect too. We adopt a zero-tolerance approach in response to anyone who interacts with our staff or with fellow audience members in an intimidating, aggressive or threatening manner.

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