Exceptional philanthropic support from Royal Ballet and Opera Principal Julia Rausing Trust
With the generous support of Aline Foriel-Destezet Season Principal
Generous philanthropic support from Dr Michael Engel, Mrs Trevor Swete and Royal Ballet And Opera Patrons
A co-production with Opéra de Monte-Carlo, Opéra de Lille and Fondazione Teatro Lirico Giuseppe Verdi, Trieste
Music
Charles-François Gounod
Libretto
after Carré’s Faust et Marguerite and Johann Wolfgang von Goethe’s Faust Part I
Jules Barbier, Michel Carré
Conductor
Maurizio Benini
Director
David McVicar
Revival Director
Peter Relton
Set designer
Charles Edwards
Costume Designer
Brigitte Reiffenstuel
Lighting Designer
Paule Constable
Choreographer
Michael Keegan-Dolan
Revival Choreographer
Emmanuel Obeya
Faust
Stefan Pop
Méphistophélès
Adam Palka
replaces Erwin Schrott
Marguerite
Carolina López Moreno
replaces Lisette Oropesa
Valentin
Boris Pinkhasovich
Siébel
Hongni Wu
Marthe Schwertlein
Monika-Evelin Liiv
replaces Rosie Aldridge
Wagner
Ossian Huskinson
Actors
Azzurra Caccetta, Matthew Daw, Irene Hardy, Becky Scarrott, Sirena Tocco, Vlad Troncea, James Unsworth, Addis Williams
Dancers
Natasha Chu, Krystine Cunningham, Olivia Devine, Viva Foster, Megan Griffiths, Keiko Hewitt-Teale, Mette Nilsen, Belinda Roy, Anna Smith, Natasha Trigg, Harry Wilson, Ena Yamaguchi
Children
Prince Conteh, Arlisa Ebeja, Jasper Franklin, Francesca Higginschiappetta, Ivy Legroux, Elliot Michael, Maguette Ndiaye, Laurence Salmon
Chorus
Royal Opera Chorus
Chorus Director
William Spaulding
Orchestra
Orchestra of the Royal Opera House
Concert Master
Sergey Levitin
Sopranos
Bernadette Lord, Juliet Schiemann, Vanessa Woodfine
Mezzo-sopranos
Jeanette Ager, Maria Brown
Tenors
Phillip Bell, Simon Biazeck, Edmond Choo, Andrew Friedhoff, Elliot Goldie
Basses
Michael Burke, Oliver Gibbs, Gavin Horsley, Jochem van Ast, Jon Wood
Music preparation
Thomas Blunt, Nicholas Ansdell-Evans
Assistant Director
Emma Doherty
Assistant to the Revival Choreographer
Kate Scott
Fight Director
Terry King
Intimacy Co-ordinator
Ingrid Mackinnon
Language Coach
Sonja Nerdrum
Patron
HM The King
Music Director Designate
Jakub Hrůša
Director of Opera
Oliver Mears
Director of Casting
Peter Mario Katona
Associate Director
Netia Jones
Administrative Director
Cormac Simms
Weary of life and the vain pursuit of knowledge, the aged Faust decides on suicide. He is stopped in his tracks by ...
ACT I
Weary of life and the vain pursuit of knowledge, the aged Faust decides on suicide. He is stopped in his tracks by the light of dawn and voices singing God’s praises. Faust bitterly renounces God and calls on Satan. Méphistophélès duly appears. He will satisfy Faust’s hedonistic demands in return for the philosopher’s soul. Hesitating at the last moment before signing the diabolic contract, Faust is finally swayed by a vision conjured up by Méphistophélès of the beautiful and innocent Marguerite: Faust must have her.
ACT II
The town is celebrating. In their midst, Valentin is preoccupied with thoughts of leaving to fight in the war. He asks his friends to look after his sister Marguerite while he is away; among them is Siébel, who is in love with her. They are interrupted by Méphistophélès, who sings a blasphemous song and makes innuendos about Marguerite. This is too much for Valentin who is roused to defend his sister and attack Méphistophélès, but his sword breaks mid-air and everyone hastily withdraws. Méphistophélès is joined by Faust; when Marguerite appears she rejects Faust’s attentions.
ACT III
Siébel leaves a bouquet of flowers for Marguerite. Next, Faust extols the virtues of Marguerite’s home while Méphistophélès also finds something to leave her: a box full of jewels. Marguerite appears, lost in thought, but is overcome with excitement as she discovers the jewel box and tries on its contents. Marthe Schwertlein, Marguerite’s neighbour, thinks that the jewels must be from an admirer. When both women are joined by Méphistophélès and Faust, the former distracts Marthe so that Faust can seduce Marguerite.
INTERVAL
ACT IV
Five months have passed. Marguerite has been deserted by Faust, but is carrying his child. In church, her prayers are repeatedly interrupted by demons. She faints as Méphistophélès’s final curse denies her the hope of salvation. Soldiers return from the war, Valentin among them. He asks Siébel to tell him how his sister is, but Siébel’s evasions prompt him angrily to rush into Marguerite’s house to find out for himself. Méphistophélès and Faust arrive, and the Devil satirically serenades Marguerite. Valentin emerges from the house demanding to know who is responsible for his sister’s shame. In the ensuing duel, Faust mortally wounds Valentin, who with his final words denies Marguerite any Christian compassion and damns her for eternity.
ACT V
It is Walpurgis Night and a diabolic ballet ensues. Faust is subjected to visions, the last of which is of Marguerite in prison for the murder of their child and awaiting execution. Faust wants to go to her, and Méphistophélès obliges. Together in the cell, Faust and Marguerite remember their shared moments of love and Faust urges her to flee with him, but she resists, calling for divine protection. Marguerite’s supplication is answered: her soul ascends to heaven.
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