
Jakub Hrůša
Music Director
Oliver Mears
Director of Opera
Opera in Three Acts
Friday 18 September 2026 6.30pm
The 44th performance by The Royal Opera at the Royal Opera House.
Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.
This performance lasts approximately 3 hours and 50 minutes, including two intervals.
55 minutes
25 minutes
75 minutes
25 minutes
50 minutes
A co-production with The Metropolitan Opera, New York
George Frideric Handel
Antonio Fanzaglia
arranged by Antonio Marchi after Ludovico Ariosto’s Orlando Furioso
David Bates
Richard Jones
Sarah Fahie
Antony McDonald
Lucy Carter
Performance materials for Alcina edited by Siegfried Flesch, published by Bärenreiter-Verlag, Kassel, performed by arrangement with Faber Music Ltd, London.
Lisette Oropesa
Emily D'Angelo
Mary Bevan
Beth Taylor
Ru Charlesworth
Edward Grint
Thomas Mayes
Lauren Bridle
Michael Barnes
Jordan Cork
Ashton Hall
Sebastien Kapps
Bridget Lappin
Caroline Lofthouse
Ryan Munroe
Luke Murphy
Anthony Pereira
Jay Yule
Orchestra of the Royal Opera House
Melissa Carstairs
Hetty Snell
Tony Hougham
Sergio Bucheli
Eligio Luis Quinteiro
Oliver John Ruthen
Edward Reeve
Oliver John Ruthven
Edward Reeve
Christopher Willis and Richard Hetherington
Daniel Dooner
Caroline Lofthouse
Emma Abbate
HM The King
Jakub Hrůša
Oliver Mears
Peter Mario Katona
Netia Jones
Cormac Simms
Alcina, an enchantress, has lured many lovers to her island. When she tires of them, she transforms them into animals. Ruggiero is her latest lover – and his wife, Bradamante, has vowed to rescue him.
Bradamante has disguised herself as her brother, Ricciardo, and travelled to Alcina’s island with Atlante, who is disguised as ‘Melisso’, a sailor. They are greeted by Morgana, Alcina’s sister, who is immediately attracted to ‘Ricciardo’. Alcina tells the visitors they may stay on the island, and expresses her love for Ruggiero. They meet Oberto, a boy. Oberto is searching for his father Astolfo (Bradamante’s cousin). Bradamante and ‘Melisso’ suspect the boy’s father has been turned into a wild animal by Alcina.When Bradamante and ‘Melisso’ question Ruggiero about his former life, Ruggiero – who has only a dim memory of Bradamante – scorns them. Morgana and her jealous lover, Oronte, argue fiercely; Bradamante recognizes her own feelings of resentment and pain in their dispute. Fuelled by his jealousy, Oronte tells Ruggiero that Alcina loves ‘Ricciardo’, hoping Ruggiero will rid him of his perceived rival.Enraged by Oronte’s malicious charge, Ruggiero lashes out at Alcina, who is hurt by his accusation. Alcina assures Ruggiero of her love, but he is tormented by doubt. ‘Melisso’ barely prevents the unhappy Bradamante from revealing her true identity to Ruggiero. Ruggiero, who is now deeply uncertain of Alcina’s love, decides that ‘Ricciardo’ is half-mad with desire for Alcina, and insists that he (Ruggiero) and Alcina are passionate lovers with eyes only for each other. Oronte’s plan works: Alcina intends to prove her love for Ruggiero by turning ‘Ricciardo’ into a beast. Morgana warns Bradamante to escape and rejoices in her love for ‘Ricciardo’.
‘Melisso’ reveals himself as Atlante. This jogs Ruggiero’s memory, and makes him realise the extent of Bradamante’s suffering. Ruggiero’s love for Bradamante is reawakened, and he longs to leave the island and see her again. However, during his reunion with his wife, Ruggiero is suddenly seized with doubts: he suspects that Bradamante is Alcina in disguise and rejects her. Bradamante is infuriated. Alone, Ruggiero is torn between Alcina’s enchantments and his newlyremembered love for Bradamante. Alcina prepares to transform ‘Ricciardo’ into a beast but is interrupted by Morgana and Ruggiero, who insists there is no need for her to prove her love in this way. Alcina withdraws her spell. With Alcina’s permission, Ruggiero leaves to go hunting, ambiguously declaring his devotion to his lover.
To Alcina’s dismay, Oronte informs her that Ruggiero has left her. Morgana refuses to believe Oronte when he informs her that ‘Ricciardo’ is leaving too – and she rejects him again. Morgana witnesses the happy reunion of Ruggiero and ‘Ricciardo’. As Ruggiero bids farewell to the island, Alcina tries to prevent him from leaving with a spell, but her powers have abandoned her.
Morgana begs for Oronte’s forgiveness, but Oronte is conflicted. Ruggiero meets Alcina and explains why he must leave. Ruggiero defeats Alcina’s forces in battle. As Alcina’s powers wane, Oberto denounces her. Bradamante vows to remain on the island until all Alcina’s victims have been restored to freedom. All approach the urn that protects Alcina’s magical powers. With Bradamante, Atlante, Oronte and the animals beside him, Ruggiero smashes the urn. The island’s enchanted creatures – including Oberto’s father Astolfo – are restored. They celebrate their return to human form, and ponder the loss of the animal ways that they have experienced.
Content suitable for all
Children under the age of five are not permitted into our theatres. Children over the age of five must have their own ticket and sit next to an accompanying adult.
Sung in Italian with English surtitles, which are displayed on screens above the stage and around the auditorium.

Production generously supported by Principal Partner, the Royal Opera
Exceptional philanthropic support from Royal Ballet and Opera Principal The Julia Rausing Trust
Role of the conductor generously supported by Kathryn Uhde
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