RBO crest

The Royal Opera

Music Director

Jakub Hrůša

Director of Opera

Oliver Mears

Alcina

Opera in Three Acts

Cast sheet

The 44th performance by The Royal Opera at the Royal Opera House.

Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.

A co-production with The Metropolitan Opera, New York

Approximate timings

This performance lasts approximately 3 hours and 50 minutes, including two intervals.

Act I

55 minutes

Interval

25 minutes

Act II

75 minutes

Interval

25 minutes

Act III

50 minutes

Credits

Music

George Frideric Handel

Libretto

arranged by Antonio Marchi after Ludovico Ariosto’s Orlando Furioso

Antonio Fanzaglia

Conductor

David Bates

Director

Richard Jones

Revival and Movement Director

Sarah Fahie

Designer

Antony McDonald

Lighting Designer

Lucy Carter

Performance materials for Alcina edited by Siegfried Flesch, published by Bärenreiter-Verlag, Kassel, performed by arrangement with Faber Music Ltd, London.

Cast

Alcina

Lisette Oropesa

Ruggiero

Emily D'Angelo

Morgana

Mary Bevan

Bradamante

Beth Taylor

Oronte

Ru Charlesworth

Atlante

Edward Grint

Oberto

Thomas Mayes

Dancers

Lauren Bridle, Michael Barnes, Jordan Cork, Ashton Hall, Sebastien Kapps, Bridget Lappin, Caroline Lofthouse, Ryan Munroe, Luke Murphy, Anthony Pereira, Jay Yule

Music credits

Orchestra

Orchestra of the Royal Opera House

Associate Concert Master

Melissa Carstairs

Continuo section

Cello

Hetty Snell

Double Bass

Tony Hougham

Theorbo

Sergio Bucheli, Eligio Luis Quinteiro

Harpsichord

Oliver John Ruthen, Edward Reeve

Production credits

Music Preparation

Oliver John Ruthven, Edward Reeve, Christopher Willis and Richard Hetherington

Assistant Director

Daniel Dooner

Assistant to the Movement Director

Caroline Lofthouse

Language Coach

Emma Abbate

Alcina, an enchantress, has lured many lovers to her island...

Alcina, an enchantress, has lured many lovers to her island. When she tires of them, she transforms them into animals. Ruggiero is her latest lover – and his wife, Bradamante, has vowed to rescue him.

ACT I

Bradamante has disguised herself as her brother, Ricciardo, and travelled to Alcina’s island with Atlante, who is disguised as ‘Melisso’, a sailor. They are greeted by Morgana, Alcina’s sister, who is immediately attracted to ‘Ricciardo’. Alcina tells the visitors they may stay on the island, and expresses her love for Ruggiero. They meet Oberto, a boy. Oberto is searching for his father Astolfo (Bradamante’s cousin). Bradamante and ‘Melisso’ suspect the boy’s father has been turned into a wild animal by Alcina.

When Bradamante and ‘Melisso’ question Ruggiero about his former life, Ruggiero – who has only a dim memory of Bradamante – scorns them. Morgana and her jealous lover, Oronte, argue fiercely; Bradamante recognizes her own feelings of resentment and pain in their dispute. Fuelled by his jealousy, Oronte tells Ruggiero that Alcina loves ‘Ricciardo’, hoping Ruggiero will rid him of his perceived rival.

Enraged by Oronte’s malicious charge, Ruggiero lashes out at Alcina, who is hurt by his accusation. Alcina assures Ruggiero of her love, but he is tormented by doubt. ‘Melisso’ barely prevents the unhappy Bradamante from revealing her true identity to Ruggiero. Ruggiero, who is now deeply uncertain of Alcina’s love, decides that ‘Ricciardo’ is half-mad with desire for Alcina, and insists that he (Ruggiero) and Alcina are passionate lovers with eyes only for each other. Oronte’s plan works: Alcina intends to prove her love for Ruggiero by turning ‘Ricciardo’ into a beast. Morgana warns Bradamante to escape and rejoices in her love for ‘Ricciardo’.


INTERVAL

ACT II

‘Melisso’ reveals himself as Atlante. This jogs Ruggiero’s memory, and makes him realise the extent of Bradamante’s suffering. Ruggiero’s love for Bradamante is reawakened, and he longs to leave the island and see her again. However, during his reunion with his wife, Ruggiero is suddenly seized with doubts: he suspects that Bradamante is Alcina in disguise and rejects her. Bradamante is infuriated. Alone, Ruggiero is torn between Alcina’s enchantments and his newlyremembered love for Bradamante. Alcina prepares to transform ‘Ricciardo’ into a beast but is interrupted by Morgana and Ruggiero, who insists there is no need for her to prove her love in this way. Alcina withdraws her spell. With Alcina’s permission, Ruggiero leaves to go hunting, ambiguously declaring his devotion to his lover.


To Alcina’s dismay, Oronte informs her that Ruggiero has left her. Morgana refuses to believe Oronte when he informs her that ‘Ricciardo’ is leaving too – and she rejects him again. Morgana witnesses the happy reunion of Ruggiero and ‘Ricciardo’. As Ruggiero bids farewell to the island, Alcina tries to prevent him from leaving with a spell, but her powers have abandoned her.


INTERVAL

ACT III

Morgana begs for Oronte’s forgiveness, but Oronte is conflicted. Ruggiero meets Alcina and explains why he must leave. Ruggiero defeats Alcina’s forces in battle. As Alcina’s powers wane, Oberto denounces her. Bradamante vows to remain on the island until all Alcina’s victims have been restored to freedom. All approach the urn that protects Alcina’s magical powers. With Bradamante, Atlante, Oronte and the animals beside him, Ruggiero smashes the urn. The island’s enchanted creatures – including Oberto’s father Astolfo – are restored. They celebrate their return to human form, and ponder the loss of the animal ways that they have experienced.

Guidance

Content suitable for all

Children under the age of five are not permitted into our theatres. Children over the age of five must have their own ticket and sit next to an accompanying adult.

Language

Sung in Italian with English surtitles, which are displayed on screens above the stage and around the auditorium.

Further information