RBO crest

The Royal Opera

Music Director

Jakub Hrůša

Director of Opera

Oliver Mears

Turandot

LYRIC DRAMA IN THREE ACTS AND FIVE SCENES

Cast sheet

The 294th performance by The Royal Opera at the Royal Opera House.

Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.

Approximate timings

The performance lasts approximately 2 hours and 50 minutes including two intervals.

Act I

35 minutes

Interval

25 minutes

Act II

45 minutes

Interval

20 minutes

Act III

40 minutes

Credits

Music

completed by Franco Alfano

Giacomo Puccini

Libretto

after Carlo Gozzi

Giuseppe Adami, Renato Simoni

Conductor

Daniel Oren

Director

Andrei Șerban

Revival Director

Jack Furness

Designer

Sally Jacobs

Lighting designer

F. Mitchell Dana

Choreographer

Kate Flatt

Choreologist

Tatiana Novaes Coelho

Cast

Princess Turandot

Anna Netrebko

Calaf

Yusif Eyvazov

Liù

Masabane Cecilia Rangwanasha

Timur

Rafał Siwek

Ping

Simone Del Savio

replaces Germán E. Alcántara

Pang

Emmanuel Fonoti-Fuimaono

Pong

James Kryshak

Emperor Altoum

Raúl Giménez

Mandarin

Ossian Huskinson

Soprano Solos

Marianne Cotterill, Tamsin Coombs

Actors

Cameron Ball, Rain de Rye Barrett, Aimee Dulake, Sarah Ekuhoho-Sharman, Richard Gittins, Keiko Hewitt-Teale, Jessie Jing, Jamal Lowe, Suleiman Suleiman, James Unsworth, Addis Williams

Dancers

Winnie Asawakanjanakit, Michael Barnes, Marie Chabert, Cristina Chinchilla, Natasha Chu, Rachel Lau, Tobias Richards, Belinda Roy, Trevor Schoonraad, Anna Smith, Jack Thomson, Sam Vaherlehto

Emmanuel Fonoti-Fuimaono and Ossian Huskinson are Jette Parker Artists

Chorus and Orchestra

Chorus

Royal Opera Chorus

Chorus Director

William Spaulding

Orchestra

Orchestra of the Royal Opera House

Concert Master

Magnus Johnston

Extra chorus

Sopranos

Jessica Broad, Janet Fairlie, Eleanor Garside, Celeste Gattai, Kathryn Jenkin, Susan Jiwey, Alison Rayner, Elizabeth Roberts, Emily Rowley-Jones, Rosalind Waters, Vanessa Woodfine

Mezzo-sopranos

Jeanette Ager, Maria Brown, Tamsin Dalley, Siobhan Gibson, Maria Jones, Jennifer Westwood

Tenors

Robert Amon, Simon Biazeck, Philip Brown, Andrew Busher, James Geer, Richard Monk, James Scarlett

Basses

James Birchall, Oliver Gibbs, Gabriel Gottlieb, Gavin Horsley, Simon Preece, Mark Saberton, Jochem van Ast, Jon Wood

Children

Youth Opera Company

Production credits

Music preparation

Stephen Clarke, Richard Hetherington, Patrick Milne, Richard Fu, Martin Fitzpatrick, Jo Ramadan, David Sutton-Anderson

Assistant Director

Daisy Brown, Kirsty Tapp

Language Coach

Alessandra Fasolo

Richard Fu is a Jette Parker Artist

Princess Turandot of China has sworn an oath that no man will possess her. However, she offers her suitors a chance...

ACT I

Princess Turandot of China has sworn an oath that no man will possess her. However, she offers her suitors a chance: if one of them can answer correctly the three riddles which she asks him, he can marry her. If not, he must die.

Inside the walls of Peking, a crowd wait for the execution of the Prince of Persia, who has failed the test of the riddles. As the guards push back the excited people, a blind old man falls, and is helped up by his companion, a young girl. A young man comes to help them and recognizes the blind man as the exiled King Timur of Tartary. He reveals himself as Timur’s son Calaf, who was separated from his father after the loss of their kingdom. Timur’s companion is Liù, a former slave, who has cared for him since their exile. It becomes clear that Liù cares deeply for Calaf.

The Prince of Persia is led in by the servants of the executioner. Turandot arrives to confirm the Prince’s death. Calaf is horrified, but, as soon as he sees the Princess, is captivated by her beauty. Despite the warnings of the ministers Ping, Pong and Pang, he vows to win Turandot himself. Liù implores him to leave with her and Timur. Calaf tries to console her but remains determined, and strikes the gong to signal his intention to woo the Princess.

INTERVAL

ACT II

Ping, Pong and Pang complain about the endless executions caused by Turandot’s obstinacy. Each longs to leave Peking for the peace of his country home.

Wise men arrive holding the scrolls containing the answers to Turandot’s riddles. Calaf, calling himself the ‘Unknown Prince’, is brought before Turandot’s father, the Emperor Altoum. The Emperor begs the ‘Unknown Prince’ to leave, and explains how he must die if he fails to answer Turandot’s riddles correctly. Calaf remains obstinate.

Turandot arrives for the test of the riddles. She explains the reason for her cruelty. Many centuries before, her ancestress Princess Lo-u-Ling was raped and killed by an invader. Turandot sees herself as the reincarnation of Lo-u-Ling and has therefore vowed that no one will possess her. The riddles are her one concession. She reminds Calaf that their outcome has so far always been death. Calaf insists on attempting to solve the riddles. Turandot asks him: what is the ghost which all the world invokes and is constantly renewed; what flickers like a flame when a man dreams of conquest; what is frost that burns, that makes a king of the one it accepts as a slave? Encouraged by the crowd, Calaf correctly answers: Hope! Blood! Turandot! Turandot is now his. But Calaf does not wish the Princess to give herself to him unwillingly, and therefore proposes another test. Turandot does not know his name – if she can discover it during the night, he is prepared to die at dawn. If not, he will possess her.

INTERVAL

ACT III

Calaf awaits dawn, while the voices of heralds announce that no one in Peking shall sleep until the name of the ‘Unknown Prince’ has been discovered. Calaf is confident that he will win Turandot. Ping, Pong and Pang attempt to get him to leave, offering him beautiful women, riches and glory if he renounces Turandot. Calaf remains firm, to the annoyance of the ministers and the rage of the crowd, who begin to threaten him.

Timur and Liù have been discovered and are dragged in. They were seen with Calaf the day before and are suspected of knowing his name. Turandot is summoned, and orders Liù to be tortured until she reveals the identity of the ‘Unknown Prince’. Liù explains to Turandot that she can bear the torture due to her love of the stranger. Still refusing to reveal his name, she kills herself. Timur and the crowd lament her death and carry her body away.

Calaf and Turandot are left alone, and Calaf accuses Turandot of inhumanity. To begin with, she is cold and unyielding, but finally she succumbs to Calaf’s embrace. Still not wishing Turandot to marry him unwillingly, Calaf tells her his name and places himself in her power. Turandot summons the Emperor and people, and proudly declares that she now knows the name of the foreigner. It is Love, she states. As Calaf and Turandot embrace, the crowd rejoices.

Guidance

Parental guidance recommended

This production contains themes of death and violence. There is a stylised depiction of suicide. 

Language

Sung in Italian with English surtitles. Captions and translations in English will be displayed on screens above the stage and around the auditorium.

Further information