
Music Director
Jakub Hrůša
Director of Opera
Oliver Mears
LYRIC DRAMA IN THREE ACTS AND FIVE SCENES
The 297th performance by The Royal Opera at the Royal Opera House.
Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.
Generous support from
The performance lasts approximately 2 hours and 50 minutes including two intervals.
Act I
35 minutes
Interval
25 minutes
Act II
45 minutes
Interval
20 minutes
Act III
40 minutes
Credits
Music
completed by Franco Alfano
Giacomo Puccini
Libretto
after Carlo Gozzi
Giuseppe Adami, Renato Simoni
Conductor
Daniel Oren
Director
Andrei Șerban
Revival Director
Jack Furness
Designer
Sally Jacobs
Lighting designer
F. Mitchell Dana
Choreographer
Kate Flatt
Choreologist
Tatiana Novaes Coelho
Cast
Princess Turandot
Anna Netrebko
Calaf
Yusif Eyvazov
Liù
Masabane Cecilia Rangwanasha
Timur
Rafał Siwek
Ping
Simone Del Savio
replaces Germán E. Alcántara
Pong
James Kryshak
Emperor Altoum
Raúl Giménez
Pang
Emmanuel Fonoti-Fuimaono
Mandarin
Ossian Huskinson
Soprano Solos
Marianne Cotterill, Tamsin Coombs
Actors
Cameron Ball, Rain de Rye Barrett, Aimee Dulake, Sarah Ekuhoho-Sharman, Richard Gittins, Keiko Hewitt-Teale, Jessie Jing, Jamal Lowe, Suleiman Suleiman, James Unsworth, Addis Williams
Dancers
Winnie Asawakanjanakit, Michael Barnes, Marie Chabert, Cristina Chinchilla, Natasha Chu, Rachel Lau, Tobias Richards, Belinda Roy, Trevor Schoonraad, Anna Smith, Jack Thomson, Sam Vaherlehto
Emmanuel Fonoti-Fuimaono and Ossian Huskinson are Jette Parker Artists
Chorus and Orchestra
Chorus
Royal Opera Chorus
Chorus Director
William Spaulding
Orchestra
Orchestra of the Royal Opera House
Concert Master
Magnus Johnston
Extra chorus
Sopranos
Jessica Broad, Janet Fairlie, Eleanor Garside, Celeste Gattai, Kathryn Jenkin, Susan Jiwey, Alison Rayner, Elizabeth Roberts, Emily Rowley-Jones, Rosalind Waters, Vanessa Woodfine
Mezzo-sopranos
Jeanette Ager, Maria Brown, Tamsin Dalley, Siobhan Gibson, Maria Jones, Jennifer Westwood
Tenors
Robert Amon, Simon Biazeck, Philip Brown, Andrew Busher, James Geer, Richard Monk, James Scarlett
Basses
James Birchall, Oliver Gibbs, Gabriel Gottlieb, Gavin Horsley, Simon Preece, Mark Saberton, Jochem van Ast, Jon Wood
Children
Youth Opera Company
Production credits
Music preparation
Stephen Clarke, Richard Hetherington, Patrick Milne, Richard Fu, Martin Fitzpatrick, Jo Ramadan, David Sutton-Anderson
Assistant Director
Daisy Brown, Kirsty Tapp
Language Coach
Alessandra Fasolo
Richard Fu is a Jette Parker Artist
The Royal Opera
Princess Turandot of China has sworn an oath that no man will possess her. However, she offers her suitors a chance...
ACT I
Princess Turandot of China has sworn an oath that no man will possess her. However, she offers her suitors a chance: if one of them can answer correctly the three riddles which she asks him, he can marry her. If not, he must die.
Inside the walls of Peking, a crowd wait for the execution of the Prince of Persia, who has failed the test of the riddles. As the guards push back the excited people, a blind old man falls, and is helped up by his companion, a young girl. A young man comes to help them and recognizes the blind man as the exiled King Timur of Tartary. He reveals himself as Timur’s son Calaf, who was separated from his father after the loss of their kingdom. Timur’s companion is Liù, a former slave, who has cared for him since their exile. It becomes clear that Liù cares deeply for Calaf.
The Prince of Persia is led in by the servants of the executioner. Turandot arrives to confirm the Prince’s death. Calaf is horrified, but, as soon as he sees the Princess, is captivated by her beauty. Despite the warnings of the ministers Ping, Pong and Pang, he vows to win Turandot himself. Liù implores him to leave with her and Timur. Calaf tries to console her but remains determined, and strikes the gong to signal his intention to woo the Princess.
INTERVAL
ACT II
Ping, Pong and Pang complain about the endless executions caused by Turandot’s obstinacy. Each longs to leave Peking for the peace of his country home.
Wise men arrive holding the scrolls containing the answers to Turandot’s riddles. Calaf, calling himself the ‘Unknown Prince’, is brought before Turandot’s father, the Emperor Altoum. The Emperor begs the ‘Unknown Prince’ to leave, and explains how he must die if he fails to answer Turandot’s riddles correctly. Calaf remains obstinate.
Turandot arrives for the test of the riddles. She explains the reason for her cruelty. Many centuries before, her ancestress Princess Lo-u-Ling was raped and killed by an invader. Turandot sees herself as the reincarnation of Lo-u-Ling and has therefore vowed that no one will possess her. The riddles are her one concession. She reminds Calaf that their outcome has so far always been death. Calaf insists on attempting to solve the riddles. Turandot asks him: what is the ghost which all the world invokes and is constantly renewed; what flickers like a flame when a man dreams of conquest; what is frost that burns, that makes a king of the one it accepts as a slave? Encouraged by the crowd, Calaf correctly answers: Hope! Blood! Turandot! Turandot is now his. But Calaf does not wish the Princess to give herself to him unwillingly, and therefore proposes another test. Turandot does not know his name – if she can discover it during the night, he is prepared to die at dawn. If not, he will possess her.
INTERVAL
ACT III
Calaf awaits dawn, while the voices of heralds announce that no one in Peking shall sleep until the name of the ‘Unknown Prince’ has been discovered. Calaf is confident that he will win Turandot. Ping, Pong and Pang attempt to get him to leave, offering him beautiful women, riches and glory if he renounces Turandot. Calaf remains firm, to the annoyance of the ministers and the rage of the crowd, who begin to threaten him.
Timur and Liù have been discovered and are dragged in. They were seen with Calaf the day before and are suspected of knowing his name. Turandot is summoned, and orders Liù to be tortured until she reveals the identity of the ‘Unknown Prince’. Liù explains to Turandot that she can bear the torture due to her love of the stranger. Still refusing to reveal his name, she kills herself. Timur and the crowd lament her death and carry her body away.
Calaf and Turandot are left alone, and Calaf accuses Turandot of inhumanity. To begin with, she is cold and unyielding, but finally she succumbs to Calaf’s embrace. Still not wishing Turandot to marry him unwillingly, Calaf tells her his name and places himself in her power. Turandot summons the Emperor and people, and proudly declares that she now knows the name of the foreigner. It is Love, she states. As Calaf and Turandot embrace, the crowd rejoices.
Guidance
Parental guidance recommended
This production contains themes of death and violence. There is a stylised depiction of suicide.
Language
Sung in Italian with English surtitles. Captions and translations in English will be displayed on screens above the stage and around the auditorium.
DIGITAL CAST SHEETS
GUIDELINES
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