
Music Director Designate
Jakub Hrůša
Director of Opera
Oliver Mears
OPERA IN FOUR ACTS
The 427th performance by The Royal Opera at the Royal Opera House.
Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.
Generous support from
The performance lasts approximately 3 hours 25 minutes, including one interval
Acts I and II
100 minutes
Interval
30 minutes
Acts III and IV
85 minutes
Credits
Music
Wolfgang Amadeus Mozart
Libretto
after La Folle Journée, ou Le Mariage de Figaro by Pierre-Augustin Caron de Beaumarchais
Lorenzo da Ponte
Conductor
Bertrand de Billy
replaces Giedrė Šlekytė
Director
David McVicar
Revival and Movement Director
Leah Hausman
Designer
Tanya McCallin
Lighting designer
Paule Constable
The edition of Le nozze di Figaro used in these performances is published by Bärenreiter-Verlag Kassel, and edited by Ludwig Finscher. Performed by arrangement with Faber Music Ltd.
Cast
Figaro
Alex Esposito
Susanna
Louise Alder
Count Almaviva
Andrey Zhilikhovsky
Countess Almaviva
Masabane Cecilia Rangwanasha
Cherubino
Svetlina Stoyanova
Bartolo
Carlo Lepore
Marcellina
Rosie Aldridge
Don Basilio
Gregory Bonfatti
Antonio
Mark Saberton
Don Curzio
Colin Judson
Barbarina
Marianna Hovanisyan
First Bridesmaid
Caroline Modiba
Second Bridesmaid
Miranda Westcott
Actors
Harold Addo, Jean-Pierre Blanchard, Michael Brazil, Lucy Brenchley, Jane Evers, Iliana Flade, Jamie Francis, Irene Hardy, Jamal Lowe, Mette Nilsen, Josh Thompson, Sirena Tocco
Marianna Hovanisyan is a Jette Parker Artist
Chorus and Orchestra
Chorus
Royal Opera Chorus
Chorus Director
William Spaulding
Orchestra
Orchestra of the Royal Opera House
Concert Master
Magnus Johnston
Fortepiano Continuo
Christopher Willis
Production credits
Music preparation
Susanna Stranders, Christopher Willis, Nick Fletcher
Assistant Director
Harriet Taylor
Assistant to the Movement Director
Sirena Tocco
Language coach
Alessandra Fasolo
The Royal Opera
Count Almaviva lives with his Countess on their estate near Seville. The Count has his eye on his wife’s maid Susan...
Count Almaviva lives with his Countess on their estate near Seville. The Count has his eye on his wife’s maid Susanna, who is about to marry the Count’s manservant, Figaro. The Count plans to seduce Susanna in the tradition of the droit de seigneur, whereby an aristocrat could bed any female servant on her wedding night. Figaro is not happy with this. Cherubino, the Count’s young page, has a crush on the Countess, who protects him. But the Count has just dismissed Cherubino from his service after the page was found with the gardener Antonio’s daughter, Barbarina.
ACTS I AND II
Susanna and Figaro prepare their new bedroom. Figaro decides he must foil his master’s attempt to seduce Susanna. Marcellina has a legal claim on Figaro and plots with Doctor Bartolo to prevent Figaro’s wedding. Cherubino comes to see Susanna in a panic, but hides when the Count arrives to solicit a meeting with Susanna that night. The Count hides when Don Basilio arrives to persuade Susanna to give in to the Count. Don Basilio gossips about Cherubino’s infatuation with the Countess. The Count angrily bursts out of hiding and discovers Cherubino. Into the confusion come Figaro and the entire household. They stage a scene to praise the Count for giving up the droit du seigneur. Annoyed, the Count prevaricates about Figaro’s wedding and tells Cherubino he must join the army at once.
In the Countess’s apartment, the Countess, Susanna and Figaro plan a trap for the Count, using Cherubino disguised as a woman. The Countess flirts with Cherubino, who locks himself in the dressing room when the Count unexpectedly turns up. The Count is suspicious and goes to find an axe with which to break the locked door. While he is away, Cherubino escapes, and Susanna takes his place in the dressing room to fool the Count. But Cherubino is seen escaping by Antonio. Figaro tries to explain everything, but his story seems increasingly far-fetched. Marcellina arrives with her claim, and the Count is delighted to have an excuse to stop Figaro’s wedding plans.
INTERVAL
ACTS III AND IV
The Count is increasingly confused. Susanna and the Countess plan Susanna’s night-time assignation with the Count – with the Countess disguised as Susanna. At first, the Count falls for the trap, but a remark of Figaro’s makes him suspicious. Barbarina smuggles Cherubino back disguised as a girl. Marcellina drops her claim when she and her former lover Bartolo discover Figaro is their long-lost son. Cherubino is discovered and his earlier escape exposed. But Barbarina knows secrets with which to blackmail the Count and save Cherubino. The Count commands they all celebrate Figaro’s wedding, secretly expecting that he will meet Susanna later.
Figaro believes that Susanna is unfaithful and comes to the garden that night to get revenge, but eventually realizes the real plan of the Countess and Susanna. There are a succession of mistaken identities, confusions and misunderstandings. But out of them, the Count’s behaviour is finally exposed and he seeks the forgiveness of his wife.
Guidance
Suitable for ages 5+
Children under the age five are not permitted into our theatres. Children over age five must have their own ticket and sit next to an accompanying adult.
Language
Sung in Italian with English surtitles. Captions and translations in English will be displayed on screens above the stage and around the auditorium.
DIGITAL CAST SHEETS
GUIDELINES
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