Jakub Hrůša
Music Director Designate
Oliver Mears
Director of Opera
OPERA IN FOUR ACTS
Friday 6 September 2024 6.45pm
The 428th performance by The Royal Opera at the Royal Opera House.
Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.
The performance lasts approximately 3 hours 25 minutes, including one interval
Wolfgang Amadeus Mozart
Lorenzo da Ponte
after La Folle Journée, ou Le Mariage de Figaro by Pierre-Augustin Caron de Beaumarchais
Julia Jones
David McVicar
Tanya McCallin
Paule Constable
Leah Hausman
Luca Micheletti
Ying Fang
Huw Montague Rendall
Maria Bengtsson
replaces Jacquelyn Stucker
Ginger Costa-Jackson
Peter Kálmán
Helene Schneiderman
replaces Rebecca Evans
Adrian Thompson
Jeremy White
Alasdair Elliott
Isabela Díaz
Caroline Modiba
Miranda Westcott
Chris Agha
Jake Barton
Lucy Brenchley
Kenneth Bryers
Jane Evers
Iliana Flade
Jamie Francis
Irene Hardy
Samuel Morgan-Freeman
Mette Nilsen
Josh Thompson
Sirena Tocco
Servants of the Count’s household
Isabela Díaz is a Jette Parker Artist
Jacquelyn Stucker has withdrawn from this production for health reasons. The role of Countess Almaviva will be performed by Maria Bengtsson.
Rebecca Evans has withdrawn from singing the role of Marcellina in this evening's performance due to illness. The role of Marcellina will now be sung by Helene Schneiderman.
Royal Opera Chorus
replaces Royal Opera Chorus.
William Spaulding
Orchestra of the Royal Opera House
Vasko Vassilev
by Arrangement with TRITTICO
Mark Packwood
Susanna Stranders
Mark Packwood
Harriet Taylor
Thomas Henderson
Barbara Diana
HM The King
Jakub Hrůša
Oliver Mears
Peter Mario Katona
Netia Jones
Cormac Simms
Count Almaviva lives with his Countess on their estate near Seville. The Count has his eye on his wife’s maid Susanna, who is about to marry the Count’s manservant, Figaro. The Count plans to seduce Susanna in the tradition of the droit de seigneur, whereby an aristocrat could bed any female servant on her wedding night. Figaro is not happy with this. Cherubino, the Count’s young page, has a crush on the Countess, who protects him. But the Count has just dismissed Cherubino from his service after the page was found with the gardener Antonio’s daughter, Barbarina.
Susanna and Figaro prepare their new bedroom. Figaro decides he must foil his master’s attempt to seduce Susanna. Marcellina has a legal claim on Figaro and plots with Doctor Bartolo to prevent Figaro’s wedding. Cherubino comes to see Susanna in a panic, but hides when the Count arrives to solicit a meeting with Susanna that night. The Count hides when Don Basilio arrives to persuade Susanna to give in to the Count. Don Basilio gossips about Cherubino’s infatuation with the Countess. The Count angrily bursts out of hiding and discovers Cherubino. Into the confusion come Figaro and the entire household. They stage a scene to praise the Count for giving up the droit du seigneur. Annoyed, the Count prevaricates about Figaro’s wedding and tells Cherubino he must join the army at once.
In the Countess’s apartment, the Countess, Susanna and Figaro plan a trap for the Count, using Cherubino disguised as a woman. The Countess flirts with Cherubino, who locks himself in the dressing room when the Count unexpectedly turns up. The Count is suspicious and goes to find an axe with which to break the locked door. While he is away, Cherubino escapes, and Susanna takes his place in the dressing room to fool the Count. But Cherubino is seen escaping by Antonio. Figaro tries to explain everything, but his story seems increasingly far-fetched. Marcellina arrives with her claim, and the Count is delighted to have an excuse to stop Figaro’s wedding plans.
The Count is increasingly confused. Susanna and the Countess plan Susanna’s night-time assignation with the Count – with the Countess disguised as Susanna. At first, the Count falls for the trap, but a remark of Figaro’s makes him suspicious. Barbarina smuggles Cherubino back disguised as a girl. Marcellina drops her claim when she and her former lover Bartolo discover Figaro is their long-lost son. Cherubino is discovered and his earlier escape exposed. But Barbarina knows secrets with which to blackmail the Count and save Cherubino. The Count commands they all celebrate Figaro’s wedding, secretly expecting that he will meet Susanna later.
Figaro believes that Susanna is unfaithful and comes to the garden that night to get revenge, but eventually realizes the real plan of the Countess and Susanna. There are a succession of mistaken identities, confusions and misunderstandings. But out of them, the Count’s behaviour is finally exposed and he seeks the forgiveness of his wife.
Suitable for ages 5+
Children under the age five are not permitted into our theatres. Children over age five must have their own ticket and sit next to an accompanying adult.
Sung in Italian with English surtitles. Captions and translations in English will be displayed on screens above the stage and around the auditorium.
Exceptional philanthropic support from
Royal Ballet and Opera Principal Julia Rausing Trust
Production generously supported by
Principal Partner, The Royal Opera
We are working hard on our commitment towards becoming more sustainable and are striving for our net zero goal of 2035. By using digital cast sheets and e-tickets, we have reduced our paper consumption by over five tonnes per year. You can view our digital cast sheets on a computer, tablet or smartphone by scanning the QR codes displayed around the building using your smartphone’s camera app. They are also displayed on screens outside the auditoria. Cast sheets are generously supported by the Royal Opera House Endowment Fund.
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