RBO crest

The Royal Opera

Music Director

Jakub Hrůša

Director of Opera

Oliver Mears

Siegfried

Music drama in three Acts 

Cast sheet

The 180th performance by The Royal Opera at the Royal Opera House.

Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.

Approximate timings

The performance will last approximately 5 hours and 45 minutes, including two intervals

Act I

80 minutes

Interval

30 minutes

Act II

75 minutes

Interval

80 minutes

Act III

80 minutes

Credits

Music

Richard Wagner

The Richard Wagner Complete Edition - Schott Music GmbH & Co.KG

Libretto

Richard Wagner

Conductor

Antonio Pappano

Director

Barrie Kosky

Set Designer

Rufus Didwiszus

Costume Designer

Victoria Behr

Lighting Designer

Alessandro Carletti

Cast

Siegfried

Andreas Schager

Mime

Peter Hoare

Der Wanderer

Christopher Maltman

Brünnhilde

Elisabet Strid

Alberich

Christopher Purves

Fafner

Soloman Howard

Erda

Wiebke Lehmkuhl

Woodbird

Sarah Dufresne

Actor (Erda)

Illona Linthwaite

Music credits

Orchestra

Orchestra of the Royal Opera House

Concert Master

Magnus Johnston

Production credits

Music preparation

Christopher Willis, Edward Reeve, Richard Fu, Giovanni Fanizza, Nick Fletcher

Assistant Directors

Simon Iorio, Johannes Stepanek, Talia Stern

Assistant to the Set Designer

Hsuan Huang 

Fight Director

Philip d’Orléans 

Intimacy Coordinators

Anna Morrissey, Johannes Stepanek

Language Coach

Franziska Roth

Richard Fu, Giovanni Fanizza and Talia Stern are Jette Parker Artists

To gain access to the ring, Mime has spent years trying to make a sword for Siegfried...

Act I

To gain access to the ring, Mime has spent years trying to make a sword for Siegfried. When he offers Siegfried his latest sword, it breaks as easily. Siegfried attacks Mime for his incompetence, but Mime reminds him of the care he has lavished on him over the years. Siegfried remains unmoved; Mime’s insistence that he is both his father and mother enrages Siegfried, who demands to know who his true parents were.

Mime reveals how he found Sieglinde dying in childbirth and claims that she entrusted her infant, Siegfried, into his care. When asked for proof he produces the fragments of Nothung, once wielded by Siegfried’s father. Revelling in his release from any bond to Mime, Siegfried demands that Nothung be reforged so that he may go out into the world.

Wotan appears in disguise as the Wanderer and offers wisdom in exchange for hospitality. He suggests to the unwilling Mime that they play a game of riddles, the stake being their heads. The Wanderer easily answers Mime’s questions about the dwarves, giants and gods. In turn, Mime proves that he knows of Siegfried’s relationship to Wotan (he is his grandson), and that Siegfried is destined to kill Fafner with Nothung, but he cannot say who will forge the sword. The Wanderer tells the desperate Mime that ‘only he who never felt fear can fashion Nothung now’, and that Mime will also lose his head. 

Siegfried returns to find Mime in a state of terror. Seeking a way out of his dilemma, Mime attempts to teach the boy what it feels like to be afraid. Siegfried finds the idea tantalizing and is eager to learn fear from encountering Fafner. When Mime confesses that he cannot forge Nothung, Siegfried takes on the task himself. Amazed by Siegfried’s methods, Mime is delighted to see that the boy will succeed, but to save himself he brews a drugged drink to offer Siegfried after his fight with the dragon. He will then kill Siegfried and seize the ring.

Interval 

Act II 

Alberich keeps watch outside Fafner’s cave, waiting for an opportunity to regain the ring. When the Wanderer appears, Alberich recognizes him as Wotan and attacks him as a thief. Wotan claims he is no longer interested in the ring and warns Alberich of Mime’s intentions. Playing on Alberich’s desire and fear, Wotan suggests that Alberich pass on the warning. He wakes Fafner, who is not troubled. Alberich swears that he will regain the ring and bring about the downfall of the gods. 

At the cave, Mime’s dread only provokes curiosity in Siegfried, who is confident of his ability to defeat Fafner. Left on his own to wait, Siegfried contemplates his origins and his loneliness and begins to understand his being in terms of what confronts him in nature. He tries to communicate with the birds, first with a pipe and then with his horn, which wakes Fafner. Siegfried kills Fafner but does not understand his warning about the ring’s curse. The Woodbird tells him to seek the ring and the Tarnhelm in the cave. 

While Siegfried is in the cave, Mime and Alberich bicker. Siegfried returns and the Woodbird tells him that he will now understand Mime’s murderous plans. Siegfried kills Mime, as the Wanderer predicted. He asks the Woodbird for more advice: how can he find a companion? The bird tells him of the wonderful woman who sleeps on a rock surrounded by fire.

Interval 

Act III 

Wotan wakes Erda, hoping her knowledge will provide him with some self-justification. She is unresponsive and tells him to seek answers from the Norns or from their own daughter, Brünnhilde. When Wotan reveals how he punished Brünnhilde for disobedience, Erda accuses him of hypocrisy. Wotan sees she has nothing to offer him and dismisses her. He now claims that he desires the end of the gods. He believes that Siegfried and Brünnhilde, glorying in love,  will redeem the world from the curse of the ring. 

Wotan prepares to meet Siegfried for the first time, as the Wanderer. Siegfried becomes irritated with the older man’s questions. Provoked, the Wanderer alludes to his true relationship to Siegfried. When Siegfried smashes Wotan’s spear, Wotan has to accept that his power is at an end. 

Siegfried discovers Brünnhilde. He removes her armour and, seeing a female form, is afraid for the first time in his life. Calling on his mother for courage, he kisses Brünnhilde and wakes her. Brünnhilde avoids responding to his passion. Confused, Siegfried briefly takes her to be his mother. While she tries to explain her spiritual love and his duty to the world, his fervour increases. Siegfried’s persistence and passion ultimately conquer Brünnhilde. Full of ardour, she calls for the destruction of Valhalla and the twilight of the gods.

Guidance

Parental guidance recommended

This performance contains nudity and violence. There are themes of incest. There are pyrotechnics used towards the end of Act I.

Language

Sung in German with English surtitles, which are displayed on screens above the stage and around the auditorium.

Further information