
Music Director
Jakub Hrůša
Director of Opera
Oliver Mears
The 552nd performance by The Royal Opera at the Royal Opera House.
Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.
Generous support from
The performance lasts approximately 2 hours 40 minutes, including one interval
Act I
60 minutes
Interval
25 minutes
Act II
35 minutes
Act III
40 minutes
Credits
Composer
Giuseppe Verdi
Libretto
after Victor Hugo's play 'Le roi s’amuse'
Francesco Maria Piave
Conductor
Mark Elder
Director
Oliver Mears
Set Designer
Simon Lima Holdsworth
Costume Designer
Ilona Karas
Lighting Designer
Fabiana Piccioli
Movement Director
Anna Morrissey
Cast
Rigoletto
Daniel Luis de Vicente
Gilda
Rosa Feola
Duke of Mantua
Liparit Avetisyan
replaces Iván Ayón Rivas
Sparafucile
Alexander Köpeczi
Maddalena
Elena Maximova
Count Monterone
Willard White
Giovanna
Veena Akama-Makia
Count Ceprano
Jamie Woollard
Marullo
Siphe Kwani
Matteo Borsa
Emyr Lloyd Jones
Countess Ceprano
Amanda Baldwin
Page
Elizabeth Weisberg
Court Usher
Nigel Cliffe
Count Monterone’s Daughter
Sabina Arthur
Dancers
Cristina Chinchilla, Chloe Dowell, Aimee Dulake, Keiko Hewitt-Teale, Sarah Hirsch, Soledad de la Hoz, Belinda Roy
Actors
Jamie Francis, Suleiman Suleiman, Addis Williams
Siphe Kwani and Emyr Lloyd Jones are Jette Parker Artists.
Chorus and Orchestra
Orchestra
Orchestra of the Royal Opera House
Concert Master
Sergey Levitin
Chorus
Royal Opera Chorus
Chorus Master
Genevieve Ellis
Chorus Director
William Spaulding
Extra Chorus
Tenors
Simon Biazeck, Phillip Bell, Phillip Brown, Andrew Busher, Jon English, Andrew Friedhoff, Richard Monk
Basses
James Birchall, Oliver Gibbs, Gabriel Gottlieb, Gavin Horsley, Jonathan Wood
Production credits
Music preparation
Catriona Beveridge, Nick Fletcher, Ben-San Lau, Erika Gundesen
Associate Director
Sophie Gilpin
Assistant Director
Bence Kalo
Assistant to the Movement Director
Aimee Dulake
Fight Director
Kev McCurdy
Language Coaches
Matteo Dalle Fratte, Alessandra Fasolo
Intimacy Coordinator
Johannes Stepanek
The Royal Opera
The Duke of Mantua is hosting a party...
Act I, Scene 1
The Duke of Mantua is hosting a party. He has seen a young woman in church and tells his associate Borsa that he intends to seduce her. Count Ceprano is at the party with his wife Countess Ceprano. The Duke turns his attention to her in front of her jealous husband. Rigoletto mocks the Count. Another associate of the Duke, Marullo, announces that Rigoletto is keeping a mistress. The Duke and Rigoletto discuss how to deal with Ceprano. Should he be banished or beheaded? Ceprano, Marullo, Borsa and the other guests want to take revenge on Rigoletto. The nobleman Monterone arrives at the palace. He is angry because the Duke seduced and abandoned his daughter. Rigoletto taunts him mercilessly, and the Duke orders Monterone’s arrest. Monterone curses them both.
Scene 2
Rigoletto is on his way home, disturbed by Monterone’s curse. He meets Sparafucile, an assassin. Sparafucile has been watching the house and knows that Rigoletto keeps a woman there. Sparafucile surmises that Rigoletto must have a love rival, and so offers his services. Rigoletto sends him away. Full of self-hatred, Rigoletto ponders his similarities to Sparafucile. It is not Rigoletto’s mistress but his daughter, Gilda, who lives in the house. She greets him warmly but Rigoletto will answer none of her questions about her dead mother, or even tell her his own name. When she begs to go out into the city, he forbids her. He orders Giovanna, his servant, to watch over his daughter. They are overheard by the Duke, who is hiding in the shadows.
When Rigoletto leaves, Gilda feels guilty: she has not told her father about the man she saw in church (who is actually the Duke in disguise). The Duke pays Giovanna to leave him alone with Gilda. He declares his love for her and she reciprocates. He tells her he is only a poor student. Giovanna hears footsteps outside. She thinks it is Rigoletto coming home, and warns the Duke – he leaves and Gilda reflects on their meeting. The footsteps belong to Marullo, Borsa, Ceprano and the other courtiers. They have come to capture the girl they believe to be Rigoletto’s mistress.
Rigoletto appears. Marullo tells the others to be quiet. He tells Rigoletto they have come to kidnap Countess Ceprano from the palace across the street. They trick him into wearing a blindfold and holding a ladder. They break into Rigoletto’s house and capture Gilda. Realizing he has been tricked, Rigoletto discovers the empty house. In anguish, he remembers Monterone’s curse.
Interval
Act II
The Duke returned to see Gilda but the house was empty. Now back in his palace, he curses whoever has robbed him of his prize. His courtiers rush in to tell him about their exploits of the previous night. The Duke guesses that Rigoletto’s ‘mistress’ and daughter are the same person. He goes to find Gilda.
Rigoletto arrives, searching for Gilda and soon realises that the Duke is already with his daughter. Rigoletto reveals that Gilda is his daughter. He attacks the courtiers in his efforts to reach her. When they stop him, he pleads with them to have pity on him. Gilda appears and tells him everything that has happened between her and the man she now knows is the Duke. Monterone is sent to prison. He despairs that his curse on the Duke failed. Rigoletto swears he will have revenge on the Duke
Act III
A month has passed, and Rigoletto has planned his revenge: he has hired Sparafucile to murder the Duke. He waits with Gilda outside Sparafucile’s home. Sparafucile’s sister, Maddalena, has lured the Duke there for the night. The Duke enters, again disguised (this time as a soldier), and asks Sparafucile for wine and for Maddalena.
Rigoletto forces Gilda to witness the Duke seducing Maddalena. Gilda is heartbroken. Rigoletto tells her to go home and, dressed in boy’s clothes, to flee to Verona where he will join her the next day.Sparafucile, unaware of the Duke’s identity, asks the name of his victim. ‘He is Crime’, answers Rigoletto, ‘I am Punishment’. Sparafucile shows the Duke to an upper room to wait for Maddalena. The Duke drifts off to sleep. A storm gathers. Maddalena has fallen for the Duke, and tries to persuade her brother to let him live. He refuses.
Gilda listens outside. Maddalena proposes a plan to kill Rigoletto when he returns with the money, and so spare the Duke’s life. Sparafucile at last agrees to kill any traveller who comes to their door by midnight and present their body to Rigoletto instead. Torn between her father and the man she loves, Gilda chooses to die herself, and knocks on the door. Sparafucile stabs Gilda. At midnight, Rigoletto returns to claim his prize. Sparafucile drags out a heavy sack and urges him to throw it into the river. Rigoletto gloats over the body and begins to pull it towards the river when he hears the Duke singing in the distance. He opens the sack to discover the dying Gilda, who begs him to forgive her. She dies, and Rigoletto recalls the curse of Monterone for the final time.
Guidance
Suitable for ages 12+
This production contains violence, gore, murder and implied sexual assault. There are depictions of sexual activity. Rigoletto features strobe lighting in Act III.
Language
Sung in Italian with English surtitles, which are displayed on screens above the stage and around the auditorium.
DIGITAL CAST SHEETS
GUIDELINES
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