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The Royal Opera

  • Jakub Hrůša

    Music Director

  • Oliver Mears

    Director of Opera

Parsifal

BÜHNENWEIHFESTSPIEL (STAGE CONSECRATION FESTIVAL PLAY) IN THREE ACTS

Friday 9 October 2026 5pm

Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.

Approximate Timings

The performance lasts approximately 5 hours and 30 minutes, including two intervals.

  • Act I

    110 minutes

  • Interval

    40 minutes

  • Act II

    70 minutes

  • Interval

    30 minutes

  • Act III

    80 minutes


Credits

  • Composer

    Richard Wagner

  • Libretto

    Richard Wagner

  • Conductor

    Jakub Hrůša

  • Director

    Evgeny Titov

  • Set Designer

    Etienne Pluss

  • Costume Designer

    Esther Bialas

  • Lighting Designer

    D. M. Wood

  • Movement Director

    Otto Pichler

  • Video Designer

    Christopher Ash

  • Dramaturg

    Janine Ortiz

Cast

  • Parsifal

    Stanislas de Barbeyrac

  • Kundry

    Ekaterina Gubanova

  • Amfortas

    Christian Gerhaher

  • Gurnemanz

    Andreas Bauer Kanabas

    replaces Brindley Sherratt

  • Klingsor

    Mark Stone

  • Titurel

    James Platt

  • First Knight

    Ryan Vaughan Davies

  • Second Knight

    Jack Sandison

  • First Esquire

    Elizabeth Karani

  • Second Esquire

    Lily Mo Browne

  • Third Esquire

    Giorgi Guliashvili

  • Fourth Esquire

    Emyr Lloyd Jones

  • Flowermaidens

    Chelsea Zurflüh

    Rhian Lois

    Sarah Richmond

    Sarah Brady

    Marianna Hovanisyan

    Ellen Pearson

  • Voice from Above

    Nikola Printz

  • Mama Flower (Video)

    Otto Pichler

  • Actors

    John Gorick

    Philip O'Gorman

    Chris Agha

    Sam Alan

    David Galea

    Timothy Blore

Jack Sandison, Lily Mo Browne, Giorgi Guliashvili, Emyr Lloyd Jones and Ellen Pearson are Jette Parker Artists

Ryan Vaughan Davies replaces Emmanuel Fonoti-Fuimaono and Elizabeth Karani replaces Charlotte Bowden

Chorus and Orchestra

  • Chorus

    Royal Opera Chorus

  • Chorus Director

    William Spaulding

  • Concert Master

    Magnus Johnston

  • Orchestra

    Orchestra of the Royal Opera House

Extra Chorus

  • Sopranos

    Rachel Chapman

    Shafali Jalota

    Kathryn Jenkin

    Alison Rayner

    Juliet Schiemann

    Vanessa Woodfine

  • Mezzo-sopranos

    Jeanette Ager

    Maria Brown

    Maria Jones

    Clare McCaldin

    Jennifer Westwood

  • Tenors

    Robert Amon

    Simon Biazeck

    Andrew Busher

    Jonathan English

    Darrell Forkin

    Andrew Friedhoff

    James Geer

    Andrew Mackenzie-Wicks

    Richard Monk

    Rory O’Connor

    Henry Strutt

    Alex Wall

  • Basses

    Stefan Berkieta

    Mark Campbell-Griffiths

    Oscar Castellino

    Christopher Foster

    Oliver Gibbs

    Lawrence Gillians

    Gabriel Gottlieb

    Gavin Horsley

    John Morgan

    John Morrissey

    Martin Nelson

    Paul Parfitt

    Mark Saberton

    Jochem van Ast

    Peter Willcock

    Jonathan Wood

Children’s Chorus

  • Children’s Chorus

    Cardinal Vaughan School

  • Musical Director

    Scott Price

    Cardinal Vaughan School

  • Children’s Chorus

    Grey Coat Hospital

  • Musical Director

    Tim Lloyd

    Grey Coat Hospital

Production credits

  • Music preparation

    Nick Fletcher

    Richard Fu

    Susanna Stranders

  • Assistant Directors

    Simon Iorio

    Deborah Cohen

  • Assistant to the Set Designer

    Clara Cohen

  • Language Coach

    Franziska Roth

  • Intimacy Director

    Anna Morrissey

  • Associate Intimacy Director

    Mandy Gordon

The Royal Opera

  • Patron

    HM The King

  • Music Director

    Jakub Hrůša

  • Director of Opera

    Oliver Mears

  • Director of Casting

    Peter Mario Katona

  • Associate Director

    Netia Jones

  • Administrative Director

    Cormac Simms

Synopsis

Amfortas, King of the knights of the Grail, suffers from a wound that will not heal. The Grail community guards two sacred relics: the Holy Grail (Christ’s cup from the Last Supper), and the spear that pierced his side on the cross. Klingsor once sought admission to the Grail brotherhood. Unable to achieve the required chastity, he castrated himself but was still denied admission. He became their enemy, creating an enchanted realm to lure the knights from their vows. Amfortas set out to defeat Klingsor but was seduced by Kundry, allowing Klingsor to seize the sacred spear and wound him. Only the same spear can heal the wound. A prophecy promises Amfortas salvation through a ‘pure fool, made wise through compassion’.

ACT I: THE REALM OF THE GRAIL

As Amfortas is carried to the lake, where bathing eases the pain of his wound, Kundry arrives with a balm for him. Wild and mysterious, she has found refuge in serving the Grail community. Soon a young stranger appears, pursued by Grail Knights for killing a swan in their sacred forest. The elder knight Gurnemanz confronts him with the suffering he has caused. The young man knows almost nothing about himself, not even his name. Kundry tells him that his father, Gamuret, died before his birth and his mother, Herzeleide, raised him alone. When she reveals that Herzeleide died after her son abandoned her, the young man reacts with horror and rage, attacking Kundry until Gurnemanz restrains him.Suspecting the stranger might be the prophesied ‘pure fool’, Gurnemanz takes him to witness the Grail ceremony. Amfortas’s father Titurel commands him to unveil the Grail, renewing the community’s strength but also prolonging Amfortas’s life and agony. Amfortas resists the ritual, longing for death, but finally submits. The young man watches Amfortas’s suffering with profound distress, yet cannot understand what he has experienced. Disappointed, Gurnemanz drives him away.

ACT II: KLINGSOR’S REALM

Klingsor sees the young stranger approaching and summons Kundry, who is under his power. He orders her to seduce him, as she once seduced Amfortas. Kundry resists, but Klingsor forces her to obey. The young man defeats Klingsor’s knights and enters an enchanted garden, where the Flowermaidens compete for his attention. Kundry calls him by his forgotten name, ‘Parsifal’, awakening childhood memories. She reveals that after Gamuret’s death, Herzeleide raised him far from weapons and war to protect him from his father’s fate. Kundry describes his mother’s devotion and the grief Parsifal’s departure caused her. He, in return, grasps his own part in her suffering. Kundry offers him a kiss, invoking his mother’s love while awakening sexual desire. Suddenly Parsifal understands the suffering he witnessed at the Grail: confronted with the same woman and the same temptation to which Amfortas succumbed, he experiences Amfortas’s agony as his own. Through compassion, the ‘pure fool’ has become wise.Parsifal rejects Kundry. She reveals that she once laughed at Christ on his way to the cross and has since been condemned to pass through life after life, remembering her past existences. Longing for release, she begs Parsifal to give himself to her, but he understands that yielding would only repeat Amfortas’s fall. Kundry calls for Klingsor, who hurls the sacred spear at Parsifal. Parsifal seizes it, and Klingsor’s realm collapses.

ACT III: THE REALM OF THE GRAIL

Years have passed. The Grail community is in decline: Amfortas refuses to unveil the Grail, since doing so would prolong his suffering. Deprived of its life-giving power, Titurel has died and the knights have lost their strength. Gurnemanz lives as a hermit. On Good Friday he finds Kundry, who has returned once more and asks only to serve.A stranger approaches with the sacred spear. Gurnemanz recognises Parsifal, finally returned after years of wandering. Learning what has happened, Parsifal grieves that he has returned too late. Kundry washes Parsifal’s feet, and Gurnemanz anoints him King of the Grail. Parsifal baptises Kundry, who sinks lifeless to the ground, finally released from her cycle of successive lives. The knights carry in Titurel’s body and demand that Amfortas unveil the Grail. He refuses, begging them to kill him rather than prolong his agony. Parsifal touches Amfortas’s wound with the sacred spear, bringing his suffering to an end.

Guidance

This production contains nudity, blood, violence and self-harm. There are pyrotechnics used in Act II. Please note that, as this is a new production, age guidance and content warnings may be subject to change.

Language

Sung in German with English surtitles, which are displayed on screens above the stage and around the auditorium.

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Further information

Digital cast sheets

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Guidelines

Photography and filming are prohibited during performances in any of our auditoriums. You are welcome to take pictures throughout the rest of the  building and before performances and share them with us through social media. Commercial photography and filming must be agreed in advance with our press team.

Larger bags and backpacks need to be check into our complimentary cloakrooms. Unattended bags may be removed.

Please do not place any personal belongings on the ledges in front of you.

Only bottled water and ice cream purchased from the premises can be taken into the auditorium.

If you arrive late to the auditorium or leave during a performance, you will not be allowed back to your seat until the interval or a suitable break.

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Our staff are committed to treating everyone with dignity and respect and we ask that you show them and your fellow audience members respect too. We adopt a zero-tolerance approach in response to anyone who interacts with our staff or with fellow audience members in an intimidating, aggressive or threatening manner.

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