RBO crest

The Royal Ballet

Director

Kevin O'Hare CBE

Founder

Dame Ninette de Valois OM CH DBE

Founder Choreographer

Sir Frederick Ashton OM CH CBE

Founder Music Director

Constant Lambert

Prima Ballerina Assoluta

Dame Margot Fonteyn DBE

Onegin

BALLET IN THREE ACTS

Cast sheet

The 121st performance by The Royal Ballet at the Royal Opera House.

Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.

Approximate timings

The performance lasts approximately 2 hours 30 minutes, including two intervals

Act I

40 minutes

Interval

25 minutes

Act II

30 minutes

Interval

25 minutes

Act III

35 minutes

Credits

Choreography

John Cranko

Music

Kurt-Heinz Stolze after Pyotr Il’yich Tchaikovsky

published by Adrian Thomé Musikverlag, Bodensee

Conductor

Wolfgang Heinz

Designer

Jürgen Rose

after original 1967 designs for Stuttgart Ballet

Lighting designer

Steen Bjarke

Artistic Supervision and Copyright

Reid Anderson-Graefe

Staging

Jane Bourne

Senior Répétiteur

Gary Avis

Répétiteur

Sian Murphy

Principal Coaching

Alexander Agadzhanov, Stuart Cassidy, Alessandra Ferri, Jillian Vanstone

Senior Benesh Choreologist and Assistant Répétiteur

Gregory Mislin

Cast

Eugene Onegin

Roberto Bolle

Lensky

Onegin’s friend

Calvin Richardson

Madame Larina

A widow

Elizabeth McGorian

Tatiana

Madame Larina's elder daughter

Marianela Nuñez

Olga

Madame Larina's younger daughter

Mayara Magri

Nurse

Nadia Mullova-Barley

Prince Gremin

A friend of the Larina family

Lukas B. Brændsrød

Relatives, countryfolk, members of the nobility

Artists of The Royal Ballet

Students of The Royal Ballet School appear by kind permission of the Artistic Director, Iain Mackay

Music credits

Orchestra

Orchestra of the Royal Opera House

Associate Concert Master

Sergey Levitin

Madame Larina, Olga and the nurse are finishing the party dresses and gossiping about Tatiana’s coming birthday fes...

ACT I

Scene 1: Madame Larina’s garden

Madame Larina, Olga and the nurse are finishing the party dresses and gossiping about Tatiana’s coming birthday festivities. Madame Larina speculates on the future. Girls from the neighbourhood arrive and play an old folk game: whoever looks into the mirror will see her beloved.

Lensky, a young poet engaged to Olga, arrives with a friend from St Petersburg.

He introduces Eugene Onegin, who, bored with the city, has come to see if the country can offer him any distraction. Tatiana, full of youthful and romantic fantasies, falls in love with the elegant stranger, so different from the country people she knows. Onegin on the other hand sees only a coltish girl who reads too many romantic novels.

Scene 2: Tatiana’s bedroom

Tatiana, her imagination aflame with impetuous first love, dreams of Onegin and writes him a passionate love letter, which she gives to the nurse to deliver.

INTERVAL

ACT II

Scene 1: Tatiana’s birthday

The provincial gentry have come out to celebrate Tatiana’s birthday. Onegin finds the company boring. Stifling his yawns, he finds it difficult to be civil; furthermore, he is irritated by Tatiana’s letter, which he regards merely as an outburst of adolescent love. In a quiet moment he seeks out Tatiana and, telling her that he cannot love her, tears up her letter. Instead of awakening pity, Tatiana’s distress only increases his irritation. Prince Gremin, a distant relative, appears. He is in love with Tatiana, and Madame Larina hopes for a brilliant match; but Tatiana, troubled by her own heart, hardly notices her kind relative.

Onegin, in his boredom, decides to provoke Lensky by flirting with Olga, who lightheartedly joins in the teasing. But Lensky takes the matter with passionate seriousness. He challenges Onegin to a duel.

Scene 2: The duel

Tatiana and Olga try to reason with Lensky, but his high romantic ideals have been shattered by the betrayal of his friend and the fickleness of his beloved; he insists that the duel take place. Onegin kills his friend.

INTERVAL

ACT III

Scene 1: St Petersburg

Years later, Onegin, having travelled the world in an attempt to escape from his own sense of futility, returns to St Petersburg. He is received at a ball in the palace of Prince Gremin, who has now married. Onegin is astonished to recognize in the stately and elegant Princess Tatiana, the uninteresting little country girl whom he once turned away. The enormity of his mistake and loss engulfs him; his life seems even more aimless and empty.

Scene 2: Tatiana’s boudoir

Onegin has written to Tatiana, revealing his love and asking to see her, but she does not wish to meet him. She pleads in vain with her unsuspecting husband not to leave her alone this evening. Onegin comes and declares his love for her. In spite of her emotional turmoil, Tatiana realizes that Onegin’s change of heart has come too late. Before his eyes, she tears up his letter and orders him to leave her forever.

Guidance

Parental guidance recommended

There is a gunshot in Act II.

Further information