Kevin O'Hare CBE
Director
Dame Ninette de Valois OM CH DBE
Founder
Sir Frederick Ashton OM CH CBE
Founder Choreographer
Constant Lambert
Founder Music Director
Dame Margot Fonteyn DBE
Prima Ballerina Assoluta
BALLET IN THREE ACTS
Tuesday 25 February 2025 7.30pm
The 113th performance by The Royal Ballet at the Royal Opera House.
Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.
The performance lasts approximately 2 hours 30 minutes, including two intervals
40 minutes
25 minutes
30 minutes
25 minutes
35 minutes
John Cranko
Kurt-Heinz Stolze after Pyotr Il’yich Tchaikovsky
published by Adrian Thomé Musikverlag, Bodensee
Wolfgang Heinz
Jürgen Rose
after original 1967 designs for Stuttgart Ballet
Steen Bjarke
Reid Anderson-Graefe
Jane Bourne
Gary Avis
Sian Murphy
Alexander Agadzhanov
Stuart Cassidy
Alessandra Ferri
Jillian Vanstone
Gregory Mislin
Ryoichi Hirano
Calvin Richardson
Onegin’s friend
Elizabeth McGorian
A widow
Lauren Cuthbertson
Madame Larina's elder daughter
Mayara Magri
Madame Larina's younger daughter
Tara-Brigitte Bhavnani
Gary Avis
A friend of the Larina family
Artists of The Royal Ballet
Students of The Royal Ballet School appear by kind permission of the Artistic Director, Iain Mackay
Orchestra of the Royal Opera House
Vasko Vassilev
by arrangement with Trittico
Kevin O’Hare CBE
Koen Kessels
Sir Wayne McGregor CBE
Christopher Wheeldon OBE
Heather Baxter
Christopher Saunders
Shane Kelly
Scene 1: Madame Larina’s garden
Madame Larina, Olga and the nurse are finishing the party dresses and gossiping about Tatiana’s coming birthday festivities. Madame Larina speculates on the future. Girls from the neighbourhood arrive and play an old folk game: whoever looks into the mirror will see her beloved.
Lensky, a young poet engaged to Olga, arrives with a friend from St Petersburg.
He introduces Eugene Onegin, who, bored with the city, has come to see if the country can offer him any distraction. Tatiana, full of youthful and romantic fantasies, falls in love with the elegant stranger, so different from the country people she knows. Onegin on the other hand sees only a coltish girl who reads too many romantic novels.
Scene 2: Tatiana’s bedroom
Tatiana, her imagination aflame with impetuous first love, dreams of Onegin and writes him a passionate love letter, which she gives to the nurse to deliver.
Scene 1: Tatiana’s birthday
The provincial gentry have come out to celebrate Tatiana’s birthday. Onegin finds the company boring. Stifling his yawns, he finds it difficult to be civil; furthermore, he is irritated by Tatiana’s letter, which he regards merely as an outburst of adolescent love. In a quiet moment he seeks out Tatiana and, telling her that he cannot love her, tears up her letter. Instead of awakening pity, Tatiana’s distress only increases his irritation. Prince Gremin, a distant relative, appears. He is in love with Tatiana, and Madame Larina hopes for a brilliant match; but Tatiana, troubled by her own heart, hardly notices her kind relative.
Onegin, in his boredom, decides to provoke Lensky by flirting with Olga, who lightheartedly joins in the teasing. But Lensky takes the matter with passionate seriousness. He challenges Onegin to a duel.
Scene 2: The duel
Tatiana and Olga try to reason with Lensky, but his high romantic ideals have been shattered by the betrayal of his friend and the fickleness of his beloved; he insists that the duel take place. Onegin kills his friend.
Scene 1: St Petersburg
Years later, Onegin, having travelled the world in an attempt to escape from his own sense of futility, returns to St Petersburg. He is received at a ball in the palace of Prince Gremin, who has now married. Onegin is astonished to recognize in the stately and elegant Princess Tatiana, the uninteresting little country girl whom he once turned away. The enormity of his mistake and loss engulfs him; his life seems even more aimless and empty.
Scene 2: Tatiana’s boudoir
Onegin has written to Tatiana, revealing his love and asking to see her, but she does not wish to meet him. She pleads in vain with her unsuspecting husband not to leave her alone this evening. Onegin comes and declares his love for her. In spite of her emotional turmoil, Tatiana realizes that Onegin’s change of heart has come too late. Before his eyes, she tears up his letter and orders him to leave her forever.
Parental guidance recommended
There is a gunshot in Act II.
Exceptional philanthropic support from Royal Ballet and Opera Principal Julia Rausing Trust
With the generous support of Aline Foriel-Destezet Season Principal
Generous philanthropic support from The Jean Sainsbury Royal Opera House Fund, Lindsay and Sarah Tomlinson, Royal Ballet and Opera Friends and an anonymous donor
The 2024/25 Royal Ballet Season is generously supported by Aud Jebsen
The role of Onegin is generously supported by Ida Levine
The role of Tatiana is generously supported by Sue Butcher and Stuart and Jill Steele
The role of Lensky is generously supported by Rachel Stearns
We are working hard on our commitment towards becoming more sustainable and are striving for our net zero goal of 2035. By using digital cast sheets and e-tickets, we have reduced our paper consumption by over five tonnes per year. You can view our digital cast sheets on a computer, tablet or smartphone by scanning the QR codes displayed around the building using your smartphone’s camera app. They are also displayed on screens outside the auditoria. Cast sheets are generously supported by the Royal Opera House Endowment Fund.
Photography and filming are prohibited during performances in any of our auditoriums. You are welcome to take pictures throughout the rest of the building and before performances and share them with us through social media. Commercial photography and filming must be agreed in advance with our press team.
Larger bags and backpacks need to be check into our complimentary cloakrooms. Unattended bags may be removed.
Please do not place any personal belongings on the ledges in front of you.
Only bottled water and ice cream purchased from the premises can be taken into the auditorium.
If you arrive late to the auditorium or leave during a performance, you will not be allowed back to your seat until the interval or a suitable break.
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