
Director
Kevin O'Hare CBE
Founder
Dame Ninette de Valois OM CH DBE
Founder Choreographer
Sir Frederick Ashton OM CH CBE
Founder Music Director
Constant Lambert
Prima Ballerina Assoluta
Dame Margot Fonteyn DBE
BALLET IN THREE ACTS
The 108th performance by The Royal Ballet at the Royal Opera House.
Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.
Generous support from
The performance lasts approximately 2 hours 30 minutes, including two intervals
Act I
40 minutes
Interval
25 minutes
Act II
30 minutes
Interval
25 minutes
Act III
35 minutes
Credits
Choreography
John Cranko
Music
Kurt-Heinz Stolze after Pyotr Il’yich Tchaikovsky
published by Adrian Thomé Musikverlag, Bodensee
Conductor
Wolfgang Heinz
Designer
Jürgen Rose
after original 1967 designs for Stuttgart Ballet
Lighting designer
Steen Bjarke
Artistic Supervision and Copyright
Reid Anderson-Graefe
Staging
Jane Bourne
Senior Répétiteur
Gary Avis
Répétiteur
Sian Murphy
Principal Coaching
Alexander Agadzhanov, Stuart Cassidy, Alessandra Ferri, Jillian Vanstone
Senior Benesh Choreologist and Assistant Répétiteur
Gregory Mislin
Cast
Eugene Onegin
Matthew Ball
Lensky
Onegin’s friend
Leo Dixon
Madame Larina
A widow
Tara-Brigitte Bhavnani
Tatiana
Madame Larina's elder daughter
Yasmine Naghdi
Olga
Madame Larina's younger daughter
Anna Rose O'Sullivan
Nurse
Julia Roscoe
Prince Gremin
A friend of the Larina family
Harris Bell
Relatives, countryfolk, members of the nobility
Artists of The Royal Ballet
Students of The Royal Ballet School appear by kind permission of the Artistic Director, Iain Mackay
Music credits
Orchestra
Orchestra of the Royal Opera House
Principal Guest Concert Master
by arrangement with Trittico
Vasko Vassilev
The Royal Ballet
Madame Larina, Olga and the nurse are finishing the party dresses and gossiping about Tatiana’s coming birthday fes...
ACT I
Scene 1: Madame Larina’s garden
Madame Larina, Olga and the nurse are finishing the party dresses and gossiping about Tatiana’s coming birthday festivities. Madame Larina speculates on the future. Girls from the neighbourhood arrive and play an old folk game: whoever looks into the mirror will see her beloved.
Lensky, a young poet engaged to Olga, arrives with a friend from St Petersburg.
He introduces Eugene Onegin, who, bored with the city, has come to see if the country can offer him any distraction. Tatiana, full of youthful and romantic fantasies, falls in love with the elegant stranger, so different from the country people she knows. Onegin on the other hand sees only a coltish girl who reads too many romantic novels.
Scene 2: Tatiana’s bedroom
Tatiana, her imagination aflame with impetuous first love, dreams of Onegin and writes him a passionate love letter, which she gives to the nurse to deliver.
INTERVAL
ACT II
Scene 1: Tatiana’s birthday
The provincial gentry have come out to celebrate Tatiana’s birthday. Onegin finds the company boring. Stifling his yawns, he finds it difficult to be civil; furthermore, he is irritated by Tatiana’s letter, which he regards merely as an outburst of adolescent love. In a quiet moment he seeks out Tatiana and, telling her that he cannot love her, tears up her letter. Instead of awakening pity, Tatiana’s distress only increases his irritation. Prince Gremin, a distant relative, appears. He is in love with Tatiana, and Madame Larina hopes for a brilliant match; but Tatiana, troubled by her own heart, hardly notices her kind relative.
Onegin, in his boredom, decides to provoke Lensky by flirting with Olga, who lightheartedly joins in the teasing. But Lensky takes the matter with passionate seriousness. He challenges Onegin to a duel.
Scene 2: The duel
Tatiana and Olga try to reason with Lensky, but his high romantic ideals have been shattered by the betrayal of his friend and the fickleness of his beloved; he insists that the duel take place. Onegin kills his friend.
INTERVAL
ACT III
Scene 1: St Petersburg
Years later, Onegin, having travelled the world in an attempt to escape from his own sense of futility, returns to St Petersburg. He is received at a ball in the palace of Prince Gremin, who has now married. Onegin is astonished to recognize in the stately and elegant Princess Tatiana, the uninteresting little country girl whom he once turned away. The enormity of his mistake and loss engulfs him; his life seems even more aimless and empty.
Scene 2: Tatiana’s boudoir
Onegin has written to Tatiana, revealing his love and asking to see her, but she does not wish to meet him. She pleads in vain with her unsuspecting husband not to leave her alone this evening. Onegin comes and declares his love for her. In spite of her emotional turmoil, Tatiana realizes that Onegin’s change of heart has come too late. Before his eyes, she tears up his letter and orders him to leave her forever.
Guidance
Parental guidance recommended
There is a gunshot in Act II.
DIGITAL CAST SHEETS
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