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The Royal Ballet

  • Kevin O'Hare CBE

    Director

  • Dame Ninette de Valois OM CH DBE

    Founder

  • Sir Frederick Ashton OM CH CBE

    Founder Choreographer

  • Constant Lambert

    Founder Music Director

  • Dame Margot Fonteyn DBE

    Prima Ballerina Assoluta

Manon

Ballet in Three Acts

Monday 26 October 2026 7.30pm

The 322nd performance by The Royal Ballet at the Royal Opera House.

Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.

Approximate Timings

The performance lasts approximately 2 hours 45 minutes, including two intervals.

  • Act I

    40 minutes

  • Interval

    25 minutes

  • Act II

    45 minutes

  • Interval

    25 minutes

  • Act III

    30 minutes


Credits

  • Choreography

    Kenneth MacMillan

  • Music

    Jules Massenet

  • Orchestrated by

    Martin Yates

    originally compiled by Leighton Lucas with the collaboration of Hilda Gaunt

  • Designer

    Nicholas Georgiadis

  • Lighting Designer

    Jacopo Pantani

  • Staging – Artistic Supervisor for the MacMillan Estate

    Laura Morera

  • Staging Director

    Christopher Saunders

  • Senior Répétiteur

    Deirdre Chapman

  • Répétiteurs

    Zhan Atymtayev

    Sian Murphy

  • Principal Coaching

    Alexander Agadzhanov

    Leanne Benjamin

    Darcey Bussell

    Stuart Cassidy

    Edward Watson

    Zenaida Yanowsky

  • Benesh Choreologists

    Gregory Mislin

    Daniel Kraus

  • Intimacy Consultant

    Johannes Stepanek

Cast

  • Manon

    Marianela Nuñez

    replaces Natalia Osipova

  • Des Grieux

    Patricio Revé

  • Lescaut

    Francisco Serrano

  • Monsieur G. M

    Ryoichi Hirano

  • Lescaut's Mistress

    Mariko Sasaki

  • Madame

    Elizabeth McGorian

  • The Gaoler

    Lukas B. Brændsrød

  • Beggar Chief

    Joonhyuk Jun

  • Courtesans

    Mica Bradbury

    Nadia Mullova-Barley

    Sophie Allnatt

    Yu Hang

  • Gentlemen

    Nicol Edmonds

    Joshua Junker

    Giacomo Rovero

  • Clients

    Denilson Almeida

    Martin Diaz

    Luc Foskett

    Aiden O'Brien

    Thomas Whitehead

  • Old Gentleman

    Bennet Gartside

Harlots, Innkeeper, Skivvies, Actresses, Beggars, Townspeople, Ratcatcher, Servants, Guards and Footmen – Artists of The Royal Ballet

Actors of The Royal Ballet – Jean-Pierre Blanchard, Ruth Cross, Rain de Rye Barrett, John Long, Daniel Swan, Damien Lee Stirk, Peter Taylor, Timothy Webster

Students of The Royal Ballet School appear by kind permission of the Artistic Director, Iain Mackay

Music credits

  • Conductor

    Koen Kessels

  • Orchestra

    Orchestra of the Royal Opera House

  • Associate Concert Master

    Melissa Carstairs

The Royal Ballet

  • Director

    Kevin O’Hare CBE

  • Music Director

    Koen Kessels

  • Resident Choreographer

    Sir Wayne McGregor CBE

  • Artistic Associate

    Christopher Wheeldon OBE

  • Administrative Director

    Heather Baxter

  • Rehearsal Director

    Christopher Saunders

  • Clinical Director Ballet Healthcare

    Shane Kelly

Synopsis

Act I

Actresses, gentlemen and the demi-monde from Paris gather at the courtyard of an inn near Paris. Among them are Des Grieux (a young student), the wealthy Monsieur G.M. and Lescaut, who is there to meet his sister Manon on her way to enter a convent. During the hustle and bustle of arrivals and introductions, a beggar steals a watch from Monsieur G.M. and celebrates gleefully before its loss is discovered and Lescaut has to intervene to save him from punishment. Soon afterwards, Manon arrives with an Old Gentleman who is obviously attracted to her. Lescaut notices the Old Gentleman’s interest and takes him into the inn to come to an arrangement over Manon. Manon remains outside and meets Des Grieux. He is entranced by her. They fall in love and decide to escape to Paris with the help of the money that she has stolen from the Old Gentleman. Lescaut and the Old Gentleman come out of the inn, having made a bargain, and to their dismay see that Manon has disappeared. Monsieur G.M. tells Lescaut that he too is interested in Manon and, because of G.M.’s wealth, Lescaut promises to find Manon and persuade her to accept him.Des Grieux and Manon are at his lodgings in Paris. He is writing a letter to his father. Manon interrupts by declaring her love for him. Des Grieux goes to post the letter and in his absence Lescaut arrives with Monsieur G.M.. Manon quickly yields to G.M.’s advances. When Des Grieux returns, Lescaut persuades him that there will be great wealth for all of them if he will sanction the liaison between G.M. and Manon.

Act II

Manon arrives at the party given by Monsieur G.M. at Madame’s hôtel particulier. She is clearly torn between the wealth of her companion and her love for Des Grieux, who is there with Lescaut. Des Grieux tries to persuade Manon to leave with him but she tells him that the time is not right and will be only when he takes more of Monsieur G.M.’s money at cards. Des Grieux is caught cheating and he and Manon rush away. Back in Des Grieux’s lodgings, he and Manon once again declare their love. Monsieur G.M. arrives with the police and Manon is arrested as a prostitute. In the ensuing struggle, Lescaut is killed.

Act III

The Gaoler of the penal colony awaits the arrival of the convicts from France at the port.

Manon has been deported to America as a prostitute and Des Grieux has followed her there by pretending to be her husband. The Gaoler sees them together and turns his interest towards Manon.

The Gaoler has arrested Manon but takes her to his room and offers her rewards in the hope that she will desert Des Grieux and live with him. Des Grieux breaks in and kills the Gaoler.

Manon has escaped with Des Grieux into the swamp of Louisiana to elude their pursuers. All her former ambitions of wealth and splendour have been renounced for her love of Des Grieux. Manon collapses and dies in Des Grieux’s arms.

Guidance

Suitable for ages 14+

This production contains scenes of a sexual nature, including stylised depictions of sexual violence. There is a gunshot in Act II.

Generous support from

Further information

Digital cast sheets

We are working hard on our commitment towards becoming more sustainable and are striving for our net zero goal of 2035. By using digital cast sheets and e-tickets, we have reduced our paper consumption by over five tonnes per year. You can view our digital cast sheets on a computer, tablet or smartphone by scanning the QR codes displayed around the building using your smartphone’s camera app. They are also displayed on screens outside the auditoria. Cast sheets are generously supported by the Royal Opera House Endowment Fund.

Guidelines

Photography and filming are prohibited during performances in any of our auditoriums. You are welcome to take pictures throughout the rest of the  building and before performances and share them with us through social media. Commercial photography and filming must be agreed in advance with our press team.

Larger bags and backpacks need to be check into our complimentary cloakrooms. Unattended bags may be removed.

Please do not place any personal belongings on the ledges in front of you.

Only bottled water and ice cream purchased from the premises can be taken into the auditorium.

If you arrive late to the auditorium or leave during a performance, you will not be allowed back to your seat until the interval or a suitable break.

Smoking and vaping are not permitted anywhere on the premises.

The safety of our visitors, staff and artists is our priority. To help us provide a comfortable experience for everyone, please be mindful of others and their personal space.

Our staff are committed to treating everyone with dignity and respect and we ask that you show them and your fellow audience members respect too. We adopt a zero-tolerance approach in response to anyone who interacts with our staff or with fellow audience members in an intimidating, aggressive or threatening manner.

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