
Music Director Designate
Jakub Hrůša
Director of Opera
Oliver Mears
Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.
The performance will last approximately 2 hours and 15 minutes, including one interval
Part I
50 minutes
Interval
25 minutes
Part II
60 minutes
Credits
Conductor
Richard Hetherington, José Salazar, Peggy Wu
Director
Sophie Gilpin
Movement Director
Natasha Harrison
Fight Director
Richard Gittins
Cast
Soprano
Isabela Díaz
Soprano
Marianna Hovanisyan
Soprano
Valentina Puskás
Mezzo Soprano
Veena Akama-Makia
Mezzo Soprano
Jingwen Cai
Tenor
Ryan Vaughan Davies
Baritone
Siphe Kwani
Baritone
Grisha Martirosyan
Bass Baritone
Ossian Huskinson
Bass
Jamie Woollard
Chorus and Orchestra
Orchestra
Orchestra of the Royal Opera House
The Royal Opera
Music GEORGES BIZET
Libretto EUGÈNE CORMON, MICHEL CARRÉ
Conductor JOSÉ SALAZAR
Music GEORGES BIZET
Libretto EUGÈNE CORMON, MICHEL CARRÉ
Conductor JOSÉ SALAZAR
Zurga GRISHA MARTIROSYAN
Leïla ISABELA DÍAZ
To preserve their childhood friendship, fishermen Zurga and Nadir have sworn an oath that neither man would act on their feelings for the priestess Leïla. When Nadir breaks his promise – and Leïla reneges on her religious commitment to remain chaste – they are both arrested. In this duet Zurga, who still harbours a deep desire for Leïla, confronts her about her feelings for Nadir. As Leïla pleads for Nadir’s life, Zurga’s jealousy and anger intensify.
Music GIUSEPPE VERDI
Libretto SALVADORE CAMMARANO
Conductor PEGGY WU
Luisa VALENTINA PUSKÁS
Wurm JAMIE WOOLLARD
Laura ISABELA DÍAZ
Count Walter’s son Rodolfo has fallen in love with Luisa, a girl from the village. Luisa’s father has been arrested after being involved in a violent altercation to protect his daughter. The villagers warn Luisa that he has been sentenced to death before Wurm, a courtier also in love with Luisa, arrives with the news that he can save Miller’s life. He offers to secure Miller’s freedom on the condition that Luisa writes a letter declaring her love for Wurm and denying that her feelings for Rodolfo were ever sincere.
Music GAETANO DONIZETTI
Libretto ALPHONSE ROYER, GUSTAVE VAËZ, EUGÈNE SCRIBE
Conductor RICHARD HETHERINGTON
Leonora VEENA AKAMA-MAKIA
Fernando RYAN VAUGHAN DAVIES
Fernando has left his religious order after falling in love with Leonora. Unaware Leonora was the King’s favourite lover, Fernando asks him for her hand in marriage. Leonora’s message about her true identity does not reach Fernando until after their wedding. When he discovers their relationship, Fernando’s feelings of betrayal and dishonour cause him to abandon his new wife and return to his previous life of celibacy. Leonora arrives broken-hearted, desperate to tell Fernando the full truth and earn his forgiveness.
Music GIOACHINO ROSSINI
Libretto CESARE STERBINI
Conductor PEGGY WU
Rosina JINGWEN CAI
Figaro SIPHE KWANI
Almaviva RYAN VAUGHAN DAVIES
Bartolo OSSIAN HUSKINSON
Basilio JAMIE WOOLLARD
Berta MARIANNA HOVANISYAN
Officiale GRISHA MARTIROSYAN
Rosina has fallen in love with Lindoro who she believes to be a student musician. Unbeknownst to her, Lindoro is really the wealthy Count Almaviva who had enlisted the local barber and jack-of-all trades Figaro to help him woo her. After the storm Almaviva and Figaro climb a ladder into Rosina’s home. Almaviva reveals his true identity and quickly marries Rosina before her guardian Dr Bartolo can.
Libretto LORENZO DA PONTE
Conductor RICHARD HETHERINGTON
Countess Almaviva VALENTINA PUSKÁS
Susanna MARIANNA HOVANISYAN
Barbarina ISABELA DÍAZ
Cherubino JINGWEN CAI
Marcellina VEENA AKAMA-MAKIA
Basilio RYAN VAUGHAN DAVIES
Count Almaviva GRISHA MARTIROSYAN
Figaro OSSIAN HUSKINSON
Bartolo JAMIE WOOLLARD
Antonio SIPHE KWANI
Some years later, Count Almaviva’s marriage to Rosina – now the Countess – has started to lose its spark. Having invoked the ancient droit du seigneur which permits the Count to sleep with Figaro’s fiancée on her wedding night, the Count is expecting to meet Susanna in the courtyard for a tryst. Little does he know that Susanna and the Countess have switched clothes to play a trick on Rosina’s philandering husband and Susanna’s jealous fiancé. Chaos ensues but can love triumph in the end?
Guidance
Suitable for 7+
This production features mild violence and depictions of a suicide. There are strobe lights in this performance. They will be used in short bursts at the beginning of the performance for around 2 minutes and after the first interval for around 2 minutes to depict storms.
GUIDELINES
DIGITAL CAST SHEETS
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