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The Royal Ballet

  • Kevin O'Hare CBE

    Director

  • Dame Ninette de Valois OM CH DBE

    Founder

  • Sir Frederick Ashton OM CH CBE

    Founder Choreographer

  • Constant Lambert

    Founder Music Director

  • Dame Margot Fonteyn DBE

    Prima Ballerina Assoluta

Insights: Fallen Angels Dance Theatre

Sunday 13 September 2026 1pm

Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.

Approximate Timings

This event lasts approximately 1 hour and 15 minutes without an interval


Cast

  • Presenter

    Chantel Nash

  • Artistic Director, Fallen Angels Dance Theatre

    Paul Bayes-Kitcher

  • Producer, Fallen Angels Dance Theatre

    Claire Morris

  • Dancers

    Tom Denbigh

    Hayden Etienne

    Chellie Hughes

    Jo Freeman

    Aleksei Ryaguzov

    Arianna Sansone

    Gus Sullivan

    Joshua Thompson

    Debbie Whipp

    Nicola Williams

Insights

  • Director of Learning and Participation

    Tina Ramdeen

  • Head of Public Engagement

    Emma Head

  • Insights Producer

    Aisling Henihan

The Royal Ballet

  • Director

    Kevin O’Hare CBE

  • Music Director

    Koen Kessels

  • Resident Choreographer

    Sir Wayne McGregor CBE

  • Artistic Associate

    Christopher Wheeldon OBE

  • Administrative Director

    Heather Baxter

  • Rehearsal Director

    Christopher Saunders

  • Clinical Director Ballet Healthcare

    Shane Kelly

Guidance

Suitable for all

Further information

Digital cast sheets

We are working hard on our commitment towards becoming more sustainable and are striving for our net zero goal of 2035. By using digital cast sheets and e-tickets, we have reduced our paper consumption by over five tonnes per year. You can view our digital cast sheets on a computer, tablet or smartphone by scanning the QR codes displayed around the building using your smartphone’s camera app. They are also displayed on screens outside the auditoria. Cast sheets are generously supported by the Royal Opera House Endowment Fund.

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