
Director
Kevin O'Hare CBE
Founder
Dame Ninette de Valois OM CH DBE
Founder Choreographer
Sir Frederick Ashton OM CH CBE
Founder Music Director
Constant Lambert
Prima Ballerina Assoluta
Dame Margot Fonteyn DBE
BALLET IN TWO ACTS
The 622nd performance by The Royal Ballet at the Royal Opera House.
Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.
Generous support from
Schools' Matinees are generously supported by The Taylor Family Foundation and The Gerald and Gail Ronson Family Foundation.
In his centenary year, we pay tribute to the late philanthropist Paul Hamlyn whose legacy has been life changing for young people’s access to the arts. We dedicate these performances of Giselle to his memory.
The performance lasts approximately 2 hours 15 minutes, including one interval
Act I
55 minutes
Interval
25 minutes
Act II
55 minutes
Credits
Choreography
Marius Petipa
ORIGINAL CHOREOGRAPHY
Jean Coralli, Jules Perrot
Music
Adolphe Adam
Edited by
Lars Payne
Scenario
Théophile Gautier
Original Scenario
Heinrich Heine
Production and Additional Choreography
Peter Wright
Designer
John Macfarlane
Original lighting
Jennifer Tipton
Lighting re-created by
David Finn
Staging
Christopher Carr, Samantha Raine
Senior Répétiteur
Samira Saidi
Répétiteurs
Zhan Atymtayev, Sian Murphy
Senior Benesh Choreologist and Assistant Répétiteur
Gregory Mislin
Principal Coaching
Alexander Agadzhanov, Leanne Benjamin, Darcey Bussell, Stuart Cassidy, Helen Crawford, Olga Evreinoff, Monica Mason, Isabel McMeekan, Christopher Saunders, Edward Watson
Benesh Choreologist
Daniel Kraus
Audio Description
16 February 2026
Julia Grundy, Jonathan Nash
Cast
Giselle
Marianna Tsembenhoi
Albrecht
Joseph Sissens
Hilarion
A forester
Luca Acri
Act I
Wilfred
Albrecht’s squire
James Large
Berthe
Giselle’s Mother
Kristen McNally
The Duke of Courland
Bennet Gartside
Bathilde
His daughter
Maddison Pritchard
Leader of the Hunt
Philip Mosley
Pas de six
Yuhui Choe, Harris Bell, Viola Pantuso, Marco Masciari, Madison Bailey, Caspar Lench
Peasants and Courtiers
Artists and Actors of The Royal Ballet
Act II
Myrtha
Queen of the Wilis
Nadia Mullova-Barley
Moyna
Myrtha’s attendant
Leticia Dias
Zulme
Myrtha’s attendant
Hannah Grennell
Wilis
Artists of The Royal Ballet
Students of The Royal Ballet School appear by kind permission of the Artistic Director, Iain Mackay
Music and orchestra
Conductor
Vello Pahn
Orchestra
Orchestra of the Royal Opera House
Concert Master
Sergey Levitin
The Royal Ballet
Giselle, a peasant girl, has fallen in love with Count Albrecht...
Giselle, a peasant girl, has fallen in love with Count Albrecht, who tells her that he is a villager named Loys. Her superstitious mother, Berthe, hopes that Giselle will marry the forester Hilarion and warns her against Loys. To discourage Giselle, Berthe recounts the legend of the Wilis, ghosts of young women who dance to death any man who crosses their path between midnight and dawn. Giselle disregards her mother and joins in the harvest celebrations with Loys.
Wilfred, Albrecht’s squire, warns him that a hunting party is approaching, led by the Duke of Courland and the Countess Bathilde (Albrecht’s future bride). Albrecht hides, but Hilarion has witnessed this meeting and decides to discover the secret of his true identity. The hunting party arrives. Giselle dances for the nobles and tells Bathilde that she too is engaged. The Countess gives her a necklace and asks to rest in Berthe’s cottage. The Duke decides to continue the hunt and leaves a hunting horn so that he and the rest of the party can be recalled when Bathilde wants to rejoin them.
Hilarion now appears from Loys’s cottage, having found Albrecht’s sword. It bears the same crest as the hunting horn – this is the evidence he needs. Albrecht returns and Hilarion reveals the truth: that Loys is really Albrecht. He sounds the horn, the hunting party returns and Bathilde, coming out of the cottage, claims Albrecht as her fiancé. The shock is too much for Giselle. In her madness she relives her love for ‘Loys’ and, seizing his sword, she kills herself.
Guidance
Parental guidance recommended
Some of the characters in this performance experience the challenges of mental health.
DIGITAL CAST SHEETS
GUIDELINES
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