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The Royal Opera
Music Director Designate
Jakub Hrůša
Director of Opera
Oliver Mears

Die Walküre

MUSIC DRAMA IN THREE ACTS

Cast sheet

Thursday 1 May 2025

|

4.30pm

The 234th performance by The Royal Opera at the Royal Opera House.
Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.

Exceptional philanthropic support from Ring Season Principals Alex and Elena Gerko and Julia Rausing Trust

Ring Principal Benefactors Charles Holloway OBE and Hamish and Sophie Forsyth

Ring Benefactors Pat and Dirk Bister, Ingemo and Karl Otto Bonnier, Philipp Freise, The Goldhammer Foundation, Malcolm Herring, Christopher and Sarah Smith, John G. Turner and Jerry G. Fischer and an anonymous philanthropist

Generous philanthropic support from Aud Jebsen, Louise Baring and Eric Franck, Mercedes T. Bass, Dr Michael Engel, Athena P S Ko, Simon and Virginia Robertson, John Sunderland and George Shishkovsky, The Thompson Family Charitable Trust, Die Walküre Production Syndicate, The Wagner Circle and The American Friends Of Covent Garden

The role of Wotan is supported by Greg and Marianne Bethel

The role of Brünnhilde is supported by an anonymous philanthropist

The role of Sieglinde is supported by Ian and Helen Andrews and Lorna and Christopher Bown

The role of Siegmund is supported by Peggy Czyzak Dannenbaum

The role of Helmwige is supported by Hamish Parker

The role of Gerhilde is supported by Fiona Espenhahn

The role of Siegrune is supported by Harry and Rachel Hampson

The role of Rossweise is supported by David and Clare Kershaw

With additional philanthropic support from Mr and Mrs Baha Bassatne and an anonymous philanthropist

Die Walküre: A Premiere Celebration in aid of the Royal Opera House Covent Garden Foundation 

The following, and others who wish to remain anonymous, have made donations towards this event. We are extremely grateful for their generous support, as we are to all those whose names we were unable to include at the time of publication, and to everyone who has bought tickets for tonight’s celebration performance.  

Nicole Alexander-Huhle, Ian and Helen Andrews, Mercedes T. Bass, Mr and Mrs Baha Bassatne, Pat and Dirk Bister, Tony and Gisela Bloom, Ingemo and Karl-Otto Bonnier, Mrs John Boyden, Johan and Paris Christofferson, Sir Lloyd and Lady Dorfman OBE, Dame Vivien Duffield, Simon and Meg Freakley, Philipp Freise, Alex and Elena Gerko, Malcolm Herring, Michael Holland, Charles Holloway OBE, Andy and Rosie Holmes, Melinda Hughes, Philip Hughes, Harry Hyman and Melanie Meads, Raymonde Jay, Melanie Johnson, Mr and Mrs Christopher W. T. Johnston, Elspeth Jones, William R Jones, Athena P S Ko, Dr and Mrs Peter James Linden - Faith Golding Foundation, Fred Manson, Jane McClenahan and Crevan O'Grady, Astrid and Ulf Pagenkopf, Cressida Pollock and Daniel, Luhde-Thompson, Sir Simon and Lady Robertson, Bonnie Robinson, Christopher and Sarah Smith, Donal Smith, Andreas Thies, Eric Tomsett, John G. Turner and Jerry G. Fischer, Rick van Aerssen, Elsbeth and Rijnhard van Tets and Mark and Julie Winterburn 

With special thanks also to:  

Veuve Clicquot  

Pinstripes and Peonies  

Company of Cooks for catering
   

We would also like to thank the staff and artists of the Royal Opera House for their invaluable help in making this event a success.  

Approximate timings

The performance will last approximately 5 hours and 35 minutes, including two intervals
Act I
65 minutes
Interval
25 minutes
Act II
90 minutes
Interval
80 minutes
Act III
75 minutes
Credits

Music

Richard Wagner

Libretto

Richard Wagner

Conductor

Antonio Pappano

Director

Barrie Kosky

Set designer

Rufus Didwiszus

Costume designer

Victoria Behr

Lighting designer

Alessandro Carletti

Cast

Wotan

Christopher Maltman

Brünnhilde

Elisabet Strid

Sieglinde

Natalya Romaniw

replaces Lise Davidsen

Siegmund

Stanislas de Barbeyrac

Fricka

Marina Prudenskaya

Hunding

Soloman Howard

Helmwige

Maida Hundeling

Ortlinde

Katie Lowe

Gerhilde

Lee Bisset

Waltraute

Claire Barnett-Jones

Siegrune

Catherine Carby

Rossweisse

Alison Kettlewell

Grimgerde

Monika-Evelin Liiv

Schwertleite

Rhonda Browne

Erda

Illona Linthwaite

Actors

Clare Almond, Lucy Brenchley, Clea Godsill, Maria Leon, Virginia Poli, Nadia Sadiq, Jay Yule

Orchestra

Orchestra

Orchestra of the Royal Opera House

Concert Master

Magnus Johnston

Production credits

Music preparation

Christopher Willis, Edward Reeve, Patrick Milne, Susanna Stranders

Assistant Directors

Simon Iorio, Johannes Stepanek, Ruth Knight

Fight Director

Philip D’Orléans

Assistant to the Set Designer

Jan Freese

Intimacy Co-ordinator

Anna Morrissey

Language Coach

Franziska Roth

Patron

HM The King

Music Director Designate

Jakub Hrůša

Director of Opera

Oliver Mears

Director of Casting

Peter Mario Katona

Associate Director

Netia Jones

Administrative Director

Cormac Simms

A storm rages as a weary man takes shelter in the home of Sieglinde and her husband, Hunding. After receiving hospi...

ACT I

A storm rages as a weary man takes shelter in the home of Sieglinde and her husband, Hunding. After receiving hospitality, the stranger, who is wounded and unarmed, shares his tragic story of loss and misfortune. Hunding recognises the stranger’s tale as that of his slain kinsmen and challenges him to a fight the next morning.

Alone, the stranger recalls the sword his father once promised he would find in his hour of greatest need. Sieglinde appears and recounts how, at her enforced wedding to Hunding, a stranger appeared and thrust a sword into the tree trunk. No one has been able to pull it out. Sieglinde and the stranger pledge themselves to one another and the stranger asks Sieglinde to rename him. Discovering his father’s name was Wälse, Sieglinde is convinced the stranger is her twin. She names him Siegmund. Siegmund removes the sword, Nothung, from the tree, and claims Sieglinde as both bride and sister. Ecstatically and defiantly they declare their love.

INTERVAL
ACT II


Wotan orders Brünnhilde, his favourite Valkyrie daughter, to ensure Siegmund defeats Hunding in battle. However, Fricka, Wotan’s wife, demands justice for the incestuous relationship between Siegmund and Sieglinde, claiming it violates marriage laws. Wotan defends their love, arguing that Siegmund can carry out the deeds he and Fricka cannot. Fricka points out that Siegmund is dependent on Wotan’s sword and protection, and therefore not truly independent. Defeated, Wotan promises that neither he nor Brünnhilde will protect Siegmund.

Wotan, despairing, confides in Brünnhilde about his past, revealing his theft of the ring from Alberich. He explains that Brünnhilde and her Valkyrie half-sisters were created to protect Wotan, and that his plan to retrieve the ring from the giant Fafner is now at risk, as he needs a free agent to act on his behalf. Wotan instructs Brünnhilde not to protect Siegmund, threatening dire consequences if she disobeys.

Siegmund and Sieglinde flee from Hunding. Brünnhilde tells Siegmund he will die in battle but will be honoured in Valhalla. Siegmund refuses to leave Sieglinde and their unborn child. Moved by compassion, Brünnhilde promises to protect him. Hunding’s horn signals his arrival. Brünnhilde tries to help Siegmund, but Wotan shatters his sword with his spear, leading to Siegmund’s death. Brünnhilde escapes with Sieglinde, and Wotan kills Hunding, vowing to punish Brünnhilde.

INTERVAL
ACT III


The Valkyries gather dead warriors for Valhalla. Brünnhilde arrives with the mortal Sieglinde, shocking the Valkyries. Brünnhilde begs for their help to protect her and Sieglinde from Wotan. Initially hesitant, the Valkyries agree when Brünnhilde reveals Sieglinde is carrying Siegmund’s child, who will be a great hero. They advise Sieglinde to flee to the forest, where Fafner guards the Nibelung hoard, and she takes the fragments of Siegmund’s sword with her.

Wotan arrives and, despite the Valkyries’ pleas, angrily banishes Brünnhilde from Valhalla for disobedience. He condemns her to mortal sleep until a mortal man awakens her. The Valkyries scatter in fear when Wotan threatens them with the same fate.

Brünnhilde asks Wotan if her compassion for Siegmund and Sieglinde deserves such punishment. She believed it aligned with his true desires. Wotan remains unforgiving, even when she tells him that a Wälsung hero will be born to Sieglinde. In her final plea, Brünnhilde asks for a ring of fire to surround her so only a worthy hero can awaken her. Wotan, moved by his feelings for her, agrees and calls upon Loge to create the flames.

Guidance
Suitable for ages 12+
This opera contains themes of incest and domestic violence. This production contains scenes of nudity and depictions of blood, violence and death. Strobe lighting is used during Act I. Pyrotechnics are used during Act III.

Language

Sung in German with English surtitles. Captions and translations in English will be displayed on screens above the stage and around the auditorium.
Further information

We are working hard on our commitment towards becoming more sustainable and are striving for our net zero goal of 2035. By using digital cast sheets and e-tickets, we have reduced our paper consumption by over five tonnes per year. You can view our digital cast sheets on a computer, tablet or smartphone by scanning the QR codes displayed around the building using your smartphone’s camera app. They are also displayed on screens outside the auditoria. Cast sheets are generously supported by the Royal Opera House Endowment Fund.

Photography and filming are prohibited during performances in any of our auditoriums. You are welcome to take pictures throughout the rest of the  building and before performances and share them with us through social media. Commercial photography and filming must be agreed in advance with our press team.

Larger bags and backpacks need to be check into our complimentary cloakrooms. Unattended bags may be removed.

Please do not place any personal belongings on the ledges in front of you.

Only bottled water and ice cream purchased from the premises can be taken into the auditorium.

If you arrive late to the auditorium or leave during a performance, you will not be allowed back to your seat until the interval or a suitable break.

Smoking and vaping are not permitted anywhere on the premises.

The safety of our visitors, staff and artists is our priority. To help us provide a comfortable experience for everyone, please be mindful of others and their personal space.

Our staff are committed to treating everyone with dignity and respect and we ask that you show them and your fellow audience members respect too. We adopt a zero-tolerance approach in response to anyone who interacts with our staff or with fellow audience members in an intimidating, aggressive or threatening manner.

We rely on your support to make world-class ballet and opera for everyone. With your donations we can ensure a bright future for the Royal Ballet and Opera, bringing communities together and inspiring future generations up and down the country.

For people, not profit.

rbo.org.uk/donate

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