Exceptional philanthropic support from Ring Season Principals Alex and Elena Gerko and Julia Rausing Trust
Ring Principal Benefactors Charles Holloway OBE and Hamish and Sophie Forsyth
Ring Benefactors Pat and Dirk Bister, Ingemo and Karl Otto Bonnier, Philipp Freise, The Goldhammer Foundation, Malcolm Herring, Christopher and Sarah Smith, John G. Turner and Jerry G. Fischer and an anonymous philanthropist
Generous philanthropic support from Aud Jebsen, Louise Baring and Eric Franck, Mercedes T. Bass, Dr Michael Engel, Athena P S Ko, Simon and Virginia Robertson, John Sunderland and George Shishkovsky, The Thompson Family Charitable Trust, Die Walküre Production Syndicate, The Wagner Circle and The American Friends Of Covent Garden
The role of Wotan is supported by Greg and Marianne Bethel
The role of Brünnhilde is supported by an anonymous philanthropist
The role of Sieglinde is supported by Ian and Helen Andrews and Lorna and Christopher Bown
The role of Siegmund is supported by Peggy Czyzak Dannenbaum
The role of Helmwige is supported by Hamish Parker
The role of Gerhilde is supported by Fiona Espenhahn
The role of Siegrune is supported by Harry and Rachel Hampson
The role of Rossweise is supported by David and Clare Kershaw
With additional philanthropic support from Mr and Mrs Baha Bassatne and an anonymous philanthropist
The following, and others who wish to remain anonymous, have made donations towards this event. We are extremely grateful for their generous support, as we are to all those whose names we were unable to include at the time of publication, and to everyone who has bought tickets for tonight’s celebration performance.
Nicole Alexander-Huhle, Ian and Helen Andrews, Mercedes T. Bass, Mr and Mrs Baha Bassatne, Pat and Dirk Bister, Tony and Gisela Bloom, Ingemo and Karl-Otto Bonnier, Mrs John Boyden, Johan and Paris Christofferson, Sir Lloyd and Lady Dorfman OBE, Dame Vivien Duffield, Simon and Meg Freakley, Philipp Freise, Alex and Elena Gerko, Malcolm Herring, Michael Holland, Charles Holloway OBE, Andy and Rosie Holmes, Melinda Hughes, Philip Hughes, Harry Hyman and Melanie Meads, Raymonde Jay, Melanie Johnson, Mr and Mrs Christopher W. T. Johnston, Elspeth Jones, William R Jones, Athena P S Ko, Dr and Mrs Peter James Linden - Faith Golding Foundation, Fred Manson, Jane McClenahan and Crevan O'Grady, Astrid and Ulf Pagenkopf, Cressida Pollock and Daniel, Luhde-Thompson, Sir Simon and Lady Robertson, Bonnie Robinson, Christopher and Sarah Smith, Donal Smith, Andreas Thies, Eric Tomsett, John G. Turner and Jerry G. Fischer, Rick van Aerssen, Elsbeth and Rijnhard van Tets and Mark and Julie Winterburn
With special thanks also to:
Veuve Clicquot
Pinstripes and Peonies
Company of Cooks for catering
We would also like to thank the staff and artists of the Royal Opera House for their invaluable help in making this event a success.
Music
Richard Wagner
Libretto
Richard Wagner
Conductor
Antonio Pappano
Director
Barrie Kosky
Set designer
Rufus Didwiszus
Costume designer
Victoria Behr
Lighting designer
Alessandro Carletti
Wotan
Christopher Maltman
Brünnhilde
Elisabet Strid
Sieglinde
Natalya Romaniw
replaces Lise Davidsen
Siegmund
Stanislas de Barbeyrac
Fricka
Marina Prudenskaya
Hunding
Soloman Howard
Helmwige
Maida Hundeling
Ortlinde
Katie Lowe
Gerhilde
Lee Bisset
Waltraute
Claire Barnett-Jones
Siegrune
Catherine Carby
Rossweisse
Alison Kettlewell
Grimgerde
Monika-Evelin Liiv
Schwertleite
Rhonda Browne
Erda
Illona Linthwaite
Actors
Clare Almond, Lucy Brenchley, Clea Godsill, Maria Leon, Virginia Poli, Nadia Sadiq, Jay Yule
Orchestra
Orchestra of the Royal Opera House
Concert Master
Magnus Johnston
Music preparation
Christopher Willis, Edward Reeve, Patrick Milne, Susanna Stranders
Assistant Directors
Simon Iorio, Johannes Stepanek, Ruth Knight
Fight Director
Philip D’Orléans
Assistant to the Set Designer
Jan Freese
Intimacy Co-ordinator
Anna Morrissey
Language Coach
Franziska Roth
Patron
HM The King
Music Director Designate
Jakub Hrůša
Director of Opera
Oliver Mears
Director of Casting
Peter Mario Katona
Associate Director
Netia Jones
Administrative Director
Cormac Simms
A storm rages as a weary man takes shelter in the home of Sieglinde and her husband, Hunding. After receiving hospi...
ACT I
A storm rages as a weary man takes shelter in the home of Sieglinde and her husband, Hunding. After receiving hospitality, the stranger, who is wounded and unarmed, shares his tragic story of loss and misfortune. Hunding recognises the stranger’s tale as that of his slain kinsmen and challenges him to a fight the next morning.
Alone, the stranger recalls the sword his father once promised he would find in his hour of greatest need. Sieglinde appears and recounts how, at her enforced wedding to Hunding, a stranger appeared and thrust a sword into the tree trunk. No one has been able to pull it out. Sieglinde and the stranger pledge themselves to one another and the stranger asks Sieglinde to rename him. Discovering his father’s name was Wälse, Sieglinde is convinced the stranger is her twin. She names him Siegmund. Siegmund removes the sword, Nothung, from the tree, and claims Sieglinde as both bride and sister. Ecstatically and defiantly they declare their love.
INTERVAL
ACT II
Wotan orders Brünnhilde, his favourite Valkyrie daughter, to ensure Siegmund defeats Hunding in battle. However, Fricka, Wotan’s wife, demands justice for the incestuous relationship between Siegmund and Sieglinde, claiming it violates marriage laws. Wotan defends their love, arguing that Siegmund can carry out the deeds he and Fricka cannot. Fricka points out that Siegmund is dependent on Wotan’s sword and protection, and therefore not truly independent. Defeated, Wotan promises that neither he nor Brünnhilde will protect Siegmund.
Wotan, despairing, confides in Brünnhilde about his past, revealing his theft of the ring from Alberich. He explains that Brünnhilde and her Valkyrie half-sisters were created to protect Wotan, and that his plan to retrieve the ring from the giant Fafner is now at risk, as he needs a free agent to act on his behalf. Wotan instructs Brünnhilde not to protect Siegmund, threatening dire consequences if she disobeys.
Siegmund and Sieglinde flee from Hunding. Brünnhilde tells Siegmund he will die in battle but will be honoured in Valhalla. Siegmund refuses to leave Sieglinde and their unborn child. Moved by compassion, Brünnhilde promises to protect him. Hunding’s horn signals his arrival. Brünnhilde tries to help Siegmund, but Wotan shatters his sword with his spear, leading to Siegmund’s death. Brünnhilde escapes with Sieglinde, and Wotan kills Hunding, vowing to punish Brünnhilde.
INTERVAL
ACT III
The Valkyries gather dead warriors for Valhalla. Brünnhilde arrives with the mortal Sieglinde, shocking the Valkyries. Brünnhilde begs for their help to protect her and Sieglinde from Wotan. Initially hesitant, the Valkyries agree when Brünnhilde reveals Sieglinde is carrying Siegmund’s child, who will be a great hero. They advise Sieglinde to flee to the forest, where Fafner guards the Nibelung hoard, and she takes the fragments of Siegmund’s sword with her.
Wotan arrives and, despite the Valkyries’ pleas, angrily banishes Brünnhilde from Valhalla for disobedience. He condemns her to mortal sleep until a mortal man awakens her. The Valkyries scatter in fear when Wotan threatens them with the same fate.
Brünnhilde asks Wotan if her compassion for Siegmund and Sieglinde deserves such punishment. She believed it aligned with his true desires. Wotan remains unforgiving, even when she tells him that a Wälsung hero will be born to Sieglinde. In her final plea, Brünnhilde asks for a ring of fire to surround her so only a worthy hero can awaken her. Wotan, moved by his feelings for her, agrees and calls upon Loge to create the flames.
We are working hard on our commitment towards becoming more sustainable and are striving for our net zero goal of 2035. By using digital cast sheets and e-tickets, we have reduced our paper consumption by over five tonnes per year. You can view our digital cast sheets on a computer, tablet or smartphone by scanning the QR codes displayed around the building using your smartphone’s camera app. They are also displayed on screens outside the auditoria. Cast sheets are generously supported by the Royal Opera House Endowment Fund.
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For people, not profit.
Royal Opera House Covent Garden Foundation, a charitable company limited by guarantee incorporated in England and Wales (Company number 480523) Charity Registered (Number 211775)