
Director
Kevin O'Hare CBE
Founder
Dame Ninette de Valois OM CH DBE
Founder Choreographer
Sir Frederick Ashton OM CH CBE
Founder Music Director
Constant Lambert
Prima Ballerina Assoluta
Dame Margot Fonteyn DBE
Ballet in Three Acts
The 471st performance by The Royal Ballet at the Royal Opera House.
Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.
Generous support from
A co-production between The Royal Ballet and The National Ballet of Canada
The performance lasts approximately 2 hours and 40 minutes, including two intervals
Act I
45 minutes
Interval
25 minutes
Act II
40 minutes
Interval
25 minutes
Act III
25 minutes
Credits
Choreography
Frederick Ashton
Music
Sergey Prokofiev
Conductor
Martin Georgiev
Set designer
Tom Pye
Costume designer
Alexandra Byrne
Lighting designer
David Finn
Video designer
Finn Ross
Illusions
Chris Fisher
Staging
Gary Avis, Wendy Ellis Somes
Senior Répétiteur
Deirdre Chapman, Samantha Raine, Samira Saidi
Répétiteur
Sian Murphy,
Principal Coaching
Alexander Agadzhanov, Leanne Benjamin, Darcey Bussell, Isabel McMeekan, Laura Morera, Malin Thoors, Christopher Saunders
Benesh Choreologist
Daniel Kraus
Cast
Cinderella
Akane Takada
The Prince
Joseph Sissens
Cinderella's Step Sisters
Thomas Whitehead, Valentino Zucchetti
Cinderella's Father
Harry Churches
The Fairy Godmother
Melissa Hamilton
Act I Scene 1
The Fairy Godmother in Disguise
Olga Sabadoch
The Dancing Master
Joshua Junker
A Tailor
Denilson Almeida
Dressmakers
Hanna Park, Maddison Pritchard
The Shoemaker
Alejandro Muñoz
The Hairdresser
Luc Foskett
A Jeweller
Harrison Lee
Two Fiddlers
Soh-Yon Kim, Chloé Boireau
Act I Scene 2
The Fairy Spring
Sophie Allnatt
The Fairy Summer
Romany Pajdak
The Fairy Autumn
Leticia Dias
The Fairy Winter
Annette Buvoli
Act II
The Jester
Caspar Lench
The Prince's Friends
Luca Acri, Téo Dubreuil, Daichi Ikarashi, Giacomo Rovero
Suitors
Aiden O'Brien, Liam Boswell
Act III
Dancers
The Company
Junior Associates of The Royal Ballet School appear by kind permission of the Artistic Director, Iain MacKay
Music
Orchestra
Orchestra of the Royal Opera House
Principal Guest Concert Master
by arrangement with TRITTICO
Vasko Vassilev
The Royal Ballet
A room in the house of Cinderella’s father Cinderella’s Step-Sisters are highly excited: they have been invited to ...
A room in the house of Cinderella’s father Cinderella’s Step-Sisters are highly excited: they have been invited to a ball at the palace. Cinderella, however, must stay at home, where all day long she is made to sweep, clean and polish. Alone for a moment, Cinderella recalls the happy days when her mother was still alive. Her father misses those times too, but is afraid of his bad-tempered step-daughters, who scold him angrily when he tries to comfort Cinderella.
A mysterious woman appears and asks for help. The step-sisters drive her away, but Cinderella offers her some bread. The woman casts a gentle look at Cinderella and disappears.
Tradespeople arrive, and dressmakers, a hairdresser and a jeweller help the Step-Sisters to prepare for the ball. With their dancing-master, they practise the gavotte. Cinderella’s father and Step-Sisters set out for the ball, and she is left sad and alone.
The mysterious woman reappears and reveals herself as Cinderella’s Fairy Godmother. She summons the fairies of Spring, Summer, Autumn and Winter who each offers Cinderella their season’s gifts. Far away from her grey, everyday existence, Cinderella is taken to an enchanted realm of beauty and fantasy high up among the stars.
As a reward for her kindness, Cinderella shall go to the ball. The Fairy Godmother warns her that she must leave before the clock strikes midnight, or all the magic charms will fade away. Escorted by the Seasons and the Stars, Cinderella rides away to the ball.
The court jester is waiting for the ball to begin. The guests arrive, including Cinderella’s father and Step-Sisters. A fanfare heralds the entrance of the Prince. Cinderella arrives in her magical pumpkin coach, so beautiful that everyone takes her for a princess; even her Step-Sisters fail to recognize her. The Prince is charmed by her beauty, and offers her oranges, the rarest fruit in his realm. The guests disperse and the Prince and Cinderella, left alone, declare their love for each other. The waltz resumes and, caught up in the dance, Cinderella forgets the Fairy Godmother’s warning. Suddenly she hears the clock strike twelve and rushes from the palace, losing one of her slippers on the stairs. Dismayed, the Prince picks up the slipper and vows he will find the young woman he loves.
Cinderella finds herself once again at the fireside, wondering if it were all a dream. The elegant slipper in her apron convinces her that she really was in the palace garden and had danced with the Prince. The Step-Sisters arrive home and boast to Cinderella about their conquests at the ball.
The Prince appears, searching for the young woman who lost the slipper. Both the Step-Sisters try to cram their feet into the delicate slipper. Cinderella kneels to help and the second slipper falls out of her pocket. The Prince immediately recognizes in the modest Cinderella the beautiful princess from the ball.
The Fairy Godmother appears. The lovers are united and walk away into the golden light of happiness.
Guidance
Suitable for all, subject to house rules
Children under the age five are not permitted into our theatres. Children over age five must have their own ticket and sit next to an accompanying adult.
Language
TEST Some performances also include Captions that give more details about the sound.
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