
Music Director
Jakub Hrůša
Director of Opera
Oliver Mears
Opéra Comique in four acts
The 5th performance by The Royal Opera at the Royal Opera House.
Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.
A co-production with Teatro Real, Madrid and La Scala, Milan
The performance lasts approximately 3 hours and 5 minutes, including one interval.
Act I and II
95 minutes
Interval
25 minutes
Act III and IV
65 minutes
Credits
Composer
Georges Bizet
Libretto
after Prosper Mérimée’s 1845 novella Carmen
Ludovic Halévy, Henri Meilhac
Director
Damiano Michieletto
Conductor
Sesto Quatrini
Dramaturg
Elisa Zaninotto
Costume Designer
Carla Teti
Set Designer
Paolo Fantin
Lighting Designer
Alessandro Carletti
Spoken text after
Meilhac Halévy and Mérimée
Revival Director
Daisy Evans
Cast
Carmen
Ginger Costa-Jackson
Don José
Russell Thomas
Micaëla
Adriana González
Escamillo
Alexander Vinogradov
Zuniga
Barnaby Rea
Frasquita
Seohyun Go
Mercédès
Ellen Pearson
Dancaïro
Giorgi Guliashvili
Remendado
Emyr Lloyd Jones
Moralès
Sam Hird
Actor
Sarah Robinson
Don José's Mother
Ruth Alfie Adams
Actor
Audrey Page
Actor
Anna Guzak
Actor
Jamal Lowe
Actor
Peter Cooney
Actor
Kieran Dee
Actors
Chorus and Orchestra
Chorus Director
William Spaulding
Orchestra
Orchestra of the Royal Opera House
Concert Master
Magnus Johnston
Sopranos
Mezzo-sopranos
Tenors
Basses
Children's Chorus
The children’s chorus is made up of members of the Youth Opera Company
Production credits
Music preparation
Richard Hetherington, Patrick Milne, Richard Fu, Aleksandra Myslek
Assistant Director
Sophie Gilpin
Language Coach
Florence Daguerre de Hureaux
Movement direction
Denni Sayers
Fight Director
Lockhart Ogilvie
The Royal Opera
Men and women are relaxing in the midday sun. The factory women come out into the fresh air for their afternoon bre...
ACT I
Men and women are relaxing in the midday sun. The factory women come out into the fresh air for their afternoon break. Among them is Carmen, an independent young woman who sings a song about love. She throws a flower to Don José, a young policeman who is immediately drawn to her. José is distracted by the arrival of Micaëla, a young woman who brings a message from his distant mother.
Micaëla departs, and a quarrel erupts among the factory women. In the fray, Carmen slashes the face of one of her coworkers and is arrested. Alone with Don José, she seduces him and persuades him to set her free. Don José’s superior, Zuniga, reprimands him for letting the prisoner get away.
ACT II: ABOUT A MONTH LATER IN A NIGHTCLUB
Carmen is waiting for the return of Don José, who has been imprisoned for helping her escape. The nightclub is the secret meeting place of a group of weapons smugglers known to Carmen. They want her and her friends, Mercédès and Frasquita, to help them on a job that evening, but Carmen refuses: José has been released from prison, and she knows that he will come to her that evening.
The famous bullfighter Escamillo pays a visit to the nightclub and describes the excitement of his sport, and being in the arena. Carmen and Escamillo feel an immediate attraction to one another and share a flirtatious exchange.
Carmen gets the smugglers to leave when she hears José approaching. Their romantic reunion is interrupted by the call to return to headquarters. When José begins to leave, Carmen mocks him. He declares his love for her, explaining how he cherished the flower from their first meeting during his time in prison. Zuniga arrives, looking for Carmen. In a jealous rage, José attacks his commander. The smugglers break up the fight and bundle off Zuniga as their hostage. José realises he has no choice but to join Carmen and the smugglers.
INTERVAL
ACT III: TWO WEEKS LATER
The smugglers are operating from their hideout in the mountains. Don José and Carmen are quarrelling. Her love for him is fading, and she advises him to go and live with his mother. Carmen and her friends begin a series of tarot card readings. Frasquita and Mercédès see a future filled with love and money. Carmen’s cards spell death.
Micaëla has followed José to the smugglers’ hideout. She hides when José challenges an intruder, who turns out to be Escamillo, seeking Carmen. The two men fight and are separated by the smugglers. As Escamillo departs, he invites Carmen to his next bullfight. Micaëla emerges from her hiding place with a message to Don José from his mother: the old lady is dying, and she is desperate for him to return home. He agrees to leave, warning Carmen that they will see each other again.
ACT IV: A FEW DAYS LATER
Accompanied by Carmen, Escamillo prepares for his bullfight while a noisy crowd cheers him outside. Carmen’s friends warn her that Don José is lurking nearby. Unafraid, she waits for him and informs him that their affair is over. He begs her to return to him, but she refuses and asserts her freedom. José kills her.
Guidance
Suitable for ages 8+
This production contains a depiction of murder and themes of a sexual nature and violence. There are gunshots in Act I with blank shots fired. These can be loud.
Language
Sung in French with English surtitles, which are displayed on screens above the stage and around the auditorium.
Digital cast sheets
Guidelines
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