
Jakub Hrůša
Music Director
Oliver Mears
Director of Opera
Opéra Comique in four acts
Sunday 8 November 2026 3pm
The 6th performance by The Royal Opera at the Royal Opera House.
Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.
The performance lasts approximately 3 hours and 5 minutes, including one interval.
95 minutes
25 minutes
65 minutes
A co-production with Teatro Real, Madrid and La Scala, Milan
Georges Bizet
Ludovic Halévy
Henri Meilhac
after Prosper Mérimée’s 1845 novella Carmen
Damiano Michieletto
Sesto Quatrini
Elisa Zaninotto
Carla Teti
Paolo Fantin
Alessandro Carletti
Meilhac Halévy and Mérimée
Daisy Evans
Ramona Zaharia
Valentyn Dytiuk
Adriana González
Alexander Vinogradov
Barnaby Rea
Seohyun Go
Ellen Pearson
Giorgi Guliashvili
Emyr Lloyd Jones
Sam Hird
Sarah Robinson
Ruth Alfie Adams
Audrey Page
Anna Guzak
Jamal Lowe
Peter Cooney
Kieran Dee
Peter Schulmeister
William Spaulding
Orchestra of the Royal Opera House
The children’s chorus is made up of members of the Youth Opera Company
Richard Hetherington
Patrick Milne
Richard Fu
Aleksandra Myslek
Sophie Gilpin
Florence Daguerre de Hureaux
Denni Sayers
Lockhart Ogilvie
HM The King
Antonio Pappano
Oliver Mears
Peter Mario Katona
Cormac Simms
Men and women are relaxing in the midday sun. The factory women come out into the fresh air for their afternoon break. Among them is Carmen, an independent young woman who sings a song about love. She throws a flower to Don José, a young policeman who is immediately drawn to her. José is distracted by the arrival of Micaëla, a young woman who brings a message from his distant mother.Micaëla departs, and a quarrel erupts among the factory women. In the fray, Carmen slashes the face of one of her coworkers and is arrested. Alone with Don José, she seduces him and persuades him to set her free. Don José’s superior, Zuniga, reprimands him for letting the prisoner get away.
Carmen is waiting for the return of Don José, who has been imprisoned for helping her escape. The nightclub is the secret meeting place of a group of weapons smugglers known to Carmen. They want her and her friends, Mercédès and Frasquita, to help them on a job that evening, but Carmen refuses: José has been released from prison, and she knows that he will come to her that evening.The famous bullfighter Escamillo pays a visit to the nightclub and describes the excitement of his sport, and being in the arena. Carmen and Escamillo feel an immediate attraction to one another and share a flirtatious exchange.Carmen gets the smugglers to leave when she hears José approaching. Their romantic reunion is interrupted by the call to return to headquarters. When José begins to leave, Carmen mocks him. He declares his love for her, explaining how he cherished the flower from their first meeting during his time in prison. Zuniga arrives, looking for Carmen. In a jealous rage, José attacks his commander. The smugglers break up the fight and bundle off Zuniga as their hostage. José realises he has no choice but to join Carmen and the smugglers.
The smugglers are operating from their hideout in the mountains. Don José and Carmen are quarrelling. Her love for him is fading, and she advises him to go and live with his mother. Carmen and her friends begin a series of tarot card readings. Frasquita and Mercédès see a future filled with love and money. Carmen’s cards spell death.
Micaëla has followed José to the smugglers’ hideout. She hides when José challenges an intruder, who turns out to be Escamillo, seeking Carmen. The two men fight and are separated by the smugglers. As Escamillo departs, he invites Carmen to his next bullfight. Micaëla emerges from her hiding place with a message to Don José from his mother: the old lady is dying, and she is desperate for him to return home. He agrees to leave, warning Carmen that they will see each other again.
Accompanied by Carmen, Escamillo prepares for his bullfight while a noisy crowd cheers him outside. Carmen’s friends warn her that Don José is lurking nearby. Unafraid, she waits for him and informs him that their affair is over. He begs her to return to him, but she refuses and asserts her freedom. José kills her.
Suitable for ages 8+
This production contains a depiction of murder and themes of a sexual nature and violence. There are gunshots in Act I with blank shots fired. These can be loud.
Sung in French with English surtitles, which are displayed on screens above the stage and around the auditorium.
We are working hard on our commitment towards becoming more sustainable and are striving for our net zero goal of 2035. By using digital cast sheets and e-tickets, we have reduced our paper consumption by over five tonnes per year. You can view our digital cast sheets on a computer, tablet or smartphone by scanning the QR codes displayed around the building using your smartphone’s camera app. They are also displayed on screens outside the auditoria. Cast sheets are generously supported by the Royal Opera House Endowment Fund.
Photography and filming are prohibited during performances in any of our auditoriums. You are welcome to take pictures throughout the rest of the building and before performances and share them with us through social media. Commercial photography and filming must be agreed in advance with our press team.
Larger bags and backpacks need to be check into our complimentary cloakrooms. Unattended bags may be removed.
Please do not place any personal belongings on the ledges in front of you.
Only bottled water and ice cream purchased from the premises can be taken into the auditorium.
If you arrive late to the auditorium or leave during a performance, you will not be allowed back to your seat until the interval or a suitable break.
Smoking and vaping are not permitted anywhere on the premises.
The safety of our visitors, staff and artists is our priority. To help us provide a comfortable experience for everyone, please be mindful of others and their personal space.
Our staff are committed to treating everyone with dignity and respect and we ask that you show them and your fellow audience members respect too. We adopt a zero-tolerance approach in response to anyone who interacts with our staff or with fellow audience members in an intimidating, aggressive or threatening manner.
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