
Music Director
Jakub Hrůša
Director of Opera
Oliver Mears
Opéra Comique in four acts
The 621st performance by The Royal Opera at the Royal Opera House.
Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.
Generous support from
A co-production with Teatro Real, Madrid and La Scala, Milan
The performance lasts approximately 3 hours and 5 minutes, including one interval.
Act I and II
95 minutes
Interval
25 minutes
Act III and IV
65 minutes
Credits
Composer
Georges Bizet
Libretto
after Prosper Mérimée’s 1845 novella Carmen
Ludovic Halévy, Henri Meilhac
Spoken text after
Meilhac Halévy and Mérimée
Conductor
Sesto Quatrini
Director
Damiano Michieletto
Revival Director
Dan Dooner
Set Designer
Paolo Fantin
Costume Designer
Carla Teti
Lighting Designer
Alessandro Carletti
Dramaturg
Elisa Zaninotto
Cast
Carmen
Ginger Costa-Jackson
Don José
Russell Thomas
Micaëla
Adriana González
Escamillo
Alexander Vinogradov
Zuniga
Barnaby Rea
Frasquita
Seohyun Go
Mercédès
Ellen Pearson
Dancaïro
Giorgi Guliashvili
Remendado
Emyr Lloyd Jones
Moralès
Sam Hird
Bohemian
Dawid Kimberg
Marchande d'oranges
Miranda Westcott
Don José's Mother
Ruth Alfie Adams
Actors
Peter Cooney, Anna Guzak, Audrey Page, Jamal Lowe, Sarah Robinson, Kieran Dee
Acting Children
Christine Beresoaie, Gabriela Sofia Fitzgerald, Elsie-Mae Jepson, James Menzies, Frank Nathan, Rosie Tems
Ellen Pearson, Seohyun Go, Giorgi Guliashvili, Emyr Lloyd Jones and Sam Hird are Jette Parker Artists
Chorus and Orchestra
Chorus
Royal Opera Chorus
Chorus Director
William Spaulding
Orchestra
Orchestra of the Royal Opera House
Associate Concert Master
Peter Schulmeister
Extra Chorus
Sopranos
Kathryn Jenkin, Rachel Chapman, Natasha Page, Christine Cunnold, Alison Rayner, Elizabeth Roberts, Susan Jiwey
Mezzo-sopranos
Jeanette Ager, Jennifer Westwood, Zoë Haydn
Tenors
Simon Biazeck, Richard Monk, Phillip Bell, James Geer
Basses
Peter Edge, Gavin Horsley
Children’s Chorus
Musical Director
Patrick Barrett
Youth Opera Company
Keturah Arusiuka-Hill, Georgiana Bamford, Lola Bird, Canino Eva Clifford, Vega Dennehy, Rose Driver, Charlie Dufrasne, Lilyrose Gardillou, Marco Giuliani, Raia Goodman, Yusuf Hammad, Doga Himmetoglu, Benedict Howson, Tobias Howson, Martin Hrusa, Joy Hang Hui, Margaret Jin, William Lleshi, Hannah Lusako, Molly Marsh, Viola Massetani, Kai Matsunaga, William McCauley-Tinniswood, Iylah Obodai, Nkiruka Oji, Elisabeth Raffré, Denneyah Reid, Timothy Jian Soon, Lucy Varga, Koto Yamamoto
Production credits
Music preparation
Patrick Milne, Nicholas Ansdell-Evans, Avishka Edirisinghe, Marta Misztal
Movement direction
Denni Sayers
Assistant Director
Aylin Bozok
Set Design Assistant
Gialuca Cataldo
Costume Design Assistant
Giulia Giannino
Fight Director
Mark Ruddick
Language Coach
Aurore Lacabe
Avishka Edirisinghe and Marta Misztal are Jette Parker Artists
The Royal Opera
Men and women are relaxing in the midday sun. The factory women come out into the fresh air for their afternoon bre...
ACT I: THE SQUARE OF A SMALL TOWN
Men and women are relaxing in the midday sun. The factory women come out into the fresh air for their afternoon break. Among them is the independent Carmen, who sings a song about love. She throws a flower to Don José, a policeman who is immediately drawn to her. José is distracted by the arrival of Micaëla, a young woman who brings a message from his distant mother.
Micaëla departs, and a quarrel erupts among the factory women. In the fray, Carmen slashes the face of one of her coworkers and is arrested. Alone with Don José, she seduces him and persuades him to set her free. Don José’s superior, Zuniga, reprimands him for letting the prisoner get away.
ACT II: ABOUT A MONTH LATER IN A NIGHTCLUB
Carmen is waiting for the return of Don José, who has been imprisoned for helping her escape. The nightclub is the secret meeting place of a group of weapons smugglers known to Carmen. They want her and her friends, Mercédès and Frasquita, to help them on a job that evening, but Carmen refuses: José has been released from prison, and she knows that he will come to her that evening.
The famous bullfighter Escamillo pays a visit to the nightclub and describes the excitement of his sport, and being in the arena. Carmen and Escamillo feel an immediate attraction to one another and share a flirtatious exchange.
Carmen gets the smugglers to leave when she hears José approaching. Their romantic reunion is interrupted by the call to return to headquarters. When José begins to leave, Carmen mocks him. He declares his love for her, explaining how he cherished the flower from their first meeting during his time in prison. Zuniga arrives, looking for Carmen. In a jealous rage, José attacks his commander. The smugglers break up the fight and bundle off Zuniga as their hostage. José realises he has no choice but to join Carmen and the smugglers.
INTERVAL
ACT III: TWO WEEKS LATER
The smugglers are operating from their hideout in the mountains. Don José and Carmen are quarrelling. Her love for him is fading, and she advises him to go and live with his mother. Carmen and her friends begin a series of tarot card readings. Frasquita and Mercédès see a future filled with love and money. Carmen’s cards spell death.
Micaëla has followed José to the smugglers’ hideout. She hides when José challenges an intruder, who turns out to be Escamillo, seeking Carmen. The two men fight and are separated by the smugglers. As Escamillo departs, he invites Carmen to his next bullfight. Micaëla emerges from her hiding place with a message to Don José from his mother: the old lady is dying, and she is desperate for him to return home. He agrees to leave, warning Carmen that they will see each other again.
ACT IV: A FEW DAYS LATER
Accompanied by Carmen, Escamillo prepares for his bullfight while a noisy crowd cheers him outside. Carmen’s friends warn her that Don José is lurking nearby. Unafraid, she waits for him and informs him that their affair is over. He begs her to return to him, but she refuses and asserts her freedom. José kills her.
Guidance
Suitable for ages 8+
This production contains a depiction of murder and themes of a sexual nature and violence. There are gunshots in Act I with blank shots fired. These can be loud.
Language
Sung in French with English surtitles, which are displayed on screens above the stage and around the auditorium.
Digital cast sheets
Guidelines
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