RBO crest

The Royal Opera

Music Director

Jakub Hrůša

Director of Opera

Oliver Mears

Carmen

Opéra Comique in four acts

Cast sheet

The 621st performance by The Royal Opera at the Royal Opera House.

Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.

A co-production with Teatro Real, Madrid and La Scala, Milan

Approximate timings

The performance lasts approximately 3 hours and 5 minutes, including one interval.

Act I and II

95 minutes

Interval

25 minutes

Act III and IV

65 minutes

Credits

Composer

Georges Bizet

Libretto

after Prosper Mérimée’s 1845 novella Carmen

Ludovic Halévy, Henri Meilhac

Spoken text after

Meilhac Halévy and Mérimée

Conductor

Sesto Quatrini

Director

Damiano Michieletto

Revival Director

Dan Dooner

Set Designer

Paolo Fantin

Costume Designer

Carla Teti

Lighting Designer

Alessandro Carletti

Dramaturg

Elisa Zaninotto

Cast

Carmen

Ginger Costa-Jackson

Don José

Russell Thomas

Micaëla

Adriana González

Escamillo

Alexander Vinogradov

Zuniga

Barnaby Rea

Frasquita

Seohyun Go

Mercédès

Ellen Pearson

Dancaïro

Giorgi Guliashvili

Remendado

Emyr Lloyd Jones

Moralès

Sam Hird

Bohemian

Dawid Kimberg

Marchande d'oranges

Miranda Westcott

Don José's Mother

Ruth Alfie Adams

Actors

Peter Cooney, Anna Guzak, Audrey Page, Jamal Lowe, Sarah Robinson, Kieran Dee

Acting Children

Christine Beresoaie, Gabriela Sofia Fitzgerald, Elsie-Mae Jepson, James Menzies, Frank Nathan, Rosie Tems

Ellen Pearson, Seohyun Go, Giorgi Guliashvili, Emyr Lloyd Jones and Sam Hird are Jette Parker Artists

Chorus and Orchestra

Chorus

Royal Opera Chorus

Chorus Director

William Spaulding

Orchestra

Orchestra of the Royal Opera House

Associate Concert Master

Peter Schulmeister

Extra Chorus

Sopranos

Kathryn Jenkin, Rachel Chapman, Natasha Page, Christine Cunnold, Alison Rayner, Elizabeth Roberts, Susan Jiwey

Mezzo-sopranos

Jeanette Ager, Jennifer Westwood, Zoë Haydn

Tenors

Simon Biazeck, Richard Monk, Phillip Bell, James Geer

Basses

Peter Edge, Gavin Horsley

Children’s Chorus

Musical Director

Patrick Barrett

Youth Opera Company

Keturah Arusiuka-Hill, Georgiana Bamford, Lola Bird, Canino Eva Clifford, Vega Dennehy, Rose Driver, Charlie Dufrasne, Lilyrose Gardillou, Marco Giuliani, Raia Goodman, Yusuf Hammad, Doga Himmetoglu, Benedict Howson, Tobias Howson, Martin Hrusa, Joy Hang Hui, Margaret Jin, William Lleshi, Hannah Lusako, Molly Marsh, Viola Massetani, Kai Matsunaga, William McCauley-Tinniswood, Iylah Obodai, Nkiruka Oji, Elisabeth Raffré, Denneyah Reid, Timothy Jian Soon, Lucy Varga, Koto Yamamoto

Production credits

Music preparation

Patrick Milne, Nicholas Ansdell-Evans, Avishka Edirisinghe, Marta Misztal

Movement direction

Denni Sayers

Assistant Director

Aylin Bozok

Set Design Assistant

Gialuca Cataldo

Costume Design Assistant

Giulia Giannino

Fight Director

Mark Ruddick

Language Coach

Aurore Lacabe

Avishka Edirisinghe and Marta Misztal are Jette Parker Artists

Men and women are relaxing in the midday sun. The factory women come out into the fresh air for their afternoon bre...

ACT I: THE SQUARE OF A SMALL TOWN

Men and women are relaxing in the midday sun. The factory women come out into the fresh air for their afternoon break. Among them is the independent Carmen, who sings a song about love. She throws a flower to Don José, a policeman who is immediately drawn to her. José is distracted by the arrival of Micaëla, a young woman who brings a message from his distant mother.

Micaëla departs, and a quarrel erupts among the factory women. In the fray, Carmen slashes the face of one of her coworkers and is arrested. Alone with Don José, she seduces him and persuades him to set her free. Don José’s superior, Zuniga, reprimands him for letting the prisoner get away.

ACT II: ABOUT A MONTH LATER IN A NIGHTCLUB

Carmen is waiting for the return of Don José, who has been imprisoned for helping her escape. The nightclub is the secret meeting place of a group of weapons smugglers known to Carmen. They want her and her friends, Mercédès and Frasquita, to help them on a job that evening, but Carmen refuses: José has been released from prison, and she knows that he will come to her that evening.

The famous bullfighter Escamillo pays a visit to the nightclub and describes the excitement of his sport, and being in the arena. Carmen and Escamillo feel an immediate attraction to one another and share a flirtatious exchange.

Carmen gets the smugglers to leave when she hears José approaching. Their romantic reunion is interrupted by the call to return to headquarters. When José begins to leave, Carmen mocks him. He declares his love for her, explaining how he cherished the flower from their first meeting during his time in prison. Zuniga arrives, looking for Carmen. In a jealous rage, José attacks his commander. The smugglers break up the fight and bundle off Zuniga as their hostage. José realises he has no choice but to join Carmen and the smugglers.

INTERVAL

ACT III: TWO WEEKS LATER

The smugglers are operating from their hideout in the mountains. Don José and Carmen are quarrelling. Her love for him is fading, and she advises him to go and live with his mother. Carmen and her friends begin a series of tarot card readings. Frasquita and Mercédès see a future filled with love and money. Carmen’s cards spell death.

Micaëla has followed José to the smugglers’ hideout. She hides when José challenges an intruder, who turns out to be Escamillo, seeking Carmen. The two men fight and are separated by the smugglers. As Escamillo departs, he invites Carmen to his next bullfight. Micaëla emerges from her hiding place with a message to Don José from his mother: the old lady is dying, and she is desperate for him to return home. He agrees to leave, warning Carmen that they will see each other again.


ACT IV: A FEW DAYS LATER

Accompanied by Carmen, Escamillo prepares for his bullfight while a noisy crowd cheers him outside. Carmen’s friends warn her that Don José is lurking nearby. Unafraid, she waits for him and informs him that their affair is over. He begs her to return to him, but she refuses and asserts her freedom. José kills her.

Guidance

Suitable for ages 8+

This production contains a depiction of murder and themes of a sexual nature and violence. There are gunshots in Act I with blank shots fired. These can be loud. 

Language

Sung in French with English surtitles, which are displayed on screens above the stage and around the auditorium.

Further information