
Music Director
Jakub Hrůša
Director of Opera
Oliver Mears
Opera in seven scenes
The 17th performance by The Royal Opera at the Royal Opera House.
Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.
Generous support from
A co-production with Deutsche Oper Berlin.
Approximately 2 hours and 20 minutes, with no interval
Credits
Music
Modest Mussorgsky
Libretto
adapted from the historical tragedy by Alexander Sergeyevich Pushkin
Modest Mussorgsky
Conductor
Mark Wigglesworth
Director
Richard Jones
Revival Director
Ben Mills
Set designer
Miriam Buether
Costume designer
Nicky Gillibrand
Lighting designer
Mimi Jordan Sherin
Movement director
Ben Wright
Revival Movement Director
Danielle Urbas
The edition of Boris Godunov used in this performance is the revised edition by Michael Rot published by Verlagsgruppe Hermann. Performed by arrangement with Schott Music GMBH & CO. KG
Cast
Boris Godunov
Bryn Terfel
Prince Shuisky
John Daszak
Pimen
Adam Palka
Grigory Otrepiev
Jamez McCorkle
Varlaam
Alexander Roslavets
Andrei Shchelkalov
Andrii Kymach
Holy Fool
Mingjie Lei
Xenia
Hannah Edmunds
Missail
Alasdair Elliott
Hostess of the Inn
Susan Bickley
Frontier Guard
Freddie Tong
replaces Alexandros Stavrakakis
Nikitich
Eddie Wade
Mityukha
Sam Hird
Xenia's Nurse
Carolyn Holt
Boyar
Christopher Lemmings
Fyodor
Robert Berry-Roe
Actors
Charles Blyth, Barry Callan, Chris Edgerley, Jamie Francis, Nicholas Frentz, Tom Levermore, Audrey Page, Christopher Palmer, Laurence Pasqualini, Suleiman Suleiman, Addis Williams, Timo William
Hannah Edmunds and Sam Hird are Jette Parker Artists
Chorus and Orchestra
Chorus
Royal Opera Chorus
Chorus Director
William Spaulding
Orchestra
Orchestra of the Royal Opera House
Concert Master
Magnus Johnston
Children's Chorus
Trinity School, Woldingham School
Musical Director
Trinity School
Nick Mulroy
Musical Director
Woldingham School
Richard Hammond Hall
Extra Chorus
Sopranos
Eleanor Garside, Kathryn Jenkin, Bernadette Lord, Elizabeth Roberts, Eryl Royle, Rosalind Waters, Lisa Wilson, Vanessa Woodfine
Mezzo-sopranos
Jeanette Ager, Siobhan Gibson, Zoe Haydn, Frances Jellard, Clare McCaldin, Jennifer Westwood
Tenors
Robert Amon, Phillip Bell, Simon Biazeck, Phillip Brown, Andrew Busher, Mark Chaundy, Jon English, Darrell Forkin, Andrew Friedhoff, James Geer, Nick Hardy, Richard Monk, Rory O'Connor, Alex Wall
Basses
Stephan Alder, James Birchall, Gabriel Gottlieb, Gavin Horsley, John Morgan, John Morrissey, Simon Preece, Jochem Van Ast, Peter Willcock, Jonathan Wood
Production credits
Music preparation
Christopher Willis, Susanna Stranders, Aleksandra Myslek, Richard Hetherington, Nick Fletcher
Assistant Director
Dan Dooner
Language Coach
Sasha Naoumenko
Fight Director
Bret Yount
The Royal Opera
After the death of Ivan the Terrible, the boyar Boris Godunov was appointed regent – Ivan’s older son, Tsar Fyodor,...
SCENE 1
Boris Godunov has retreated to the Novodevichy Monastery. A crowd gathers outside, and a policeman orders them to entreat Boris to accept the throne. Shchelkalov, clerk of the Boyars’ Council, tells the crowd that Boris is reluctant to take the throne. Pilgrims join the entreaties to Boris.
SCENE 2
Boris is crowned Tsar. Boris invites everyone to a great feast. Years pass. Russia prospers, and Boris proves to be a good and wise ruler. Then, unexpectedly, there is famine. Some believe that this is divine punishment for Boris’ alleged murder of Tsarevich Dmitry.
SCENE 3
In the Kremlin, the monk Pimen is writing a chronicle of Russian history. The novice Grigory regrets his choice of career and envies Pimen’s eventful youth. Pimen reminisces about Ivan the Terrible and Ivan’s son Fyodor. He denounces Boris as Tsarevich Dmitry’s murderer. Hearing that Dmitry resembled him and was about his own age, Grigory plots to impersonate the Tsarevich and stir up rebellion.
SCENE 4
Grigory (now in secular clothes) arrives at an inn near the Lithuanian border with the monks Varlaam and Missail. Guards arrive, searching for a fugitive rebel monk (Grigory). When Grigory realizes that the Frontier Guard cannot read, he reads out the edict, describing the fugitive as resembling Varlaam, rather than himself. Varlaam protests his innocence, and reads the edict correctly. Grigory escapes.
SCENE 5
In the Tsar’s apartments, Boris’s daughter Xenia laments the early death of her fiancé, while her brother Fyodor studies a map of Russia. Boris reflects on his achievements as ruler. Prince Shuisky announces that a Pretender, calling himself the Tsarevich Dmitry, is gathering support in Lithuania. Boris orders Shuisky to seal the border and asks for proof of Dmitry’s death. Shuisky confirms that he saw Dmitry’s corpse, but suggests that it may have miraculous powers. Boris orders Shuisky to leave. Alone, he hallucinates visions of the dead Dmitry.
SCENE 6
Outside St Basil’s Cathedral, the crowd comments on the official denunciation of the Pretender Grishka (Grigory) Otrepiev that they have heard at Mass. A Holy Fool sings a nonsensical song. Boris and his retinue leave the Cathedral and the hungry crowd begs for bread. The Holy Fool suggests Boris ordered the murder of Tsarevich Dmitry. Shuisky demands the Holy Fool’s arrest, but Boris instead asks the Holy Fool to pray for him. The Holy Fool refuses to pray for ‘Tsar Herod’ and laments the fate of Russia.
SCENE 7
At the Kremlin, Shuisky and the Boyars’ Council order the execution of Grigory and his followers. Boris appears, still in the grip of his hallucination. Pimen informs Boris that the Tsarevich Dmitry has become a saint from beyond the grave, and cured an old man’s blindness. Boris collapses and calls for his son Fyodor. He names Fyodor as his heir, begs forgiveness and dies.
Guidance
Parental guidance recommended
Themes of child murder from the outset
Language
Sung in Russian with English surtitles, which are displayed on screens above the stage and around the auditorium.
DIGITAL CAST SHEETS
GUIDELINES
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