
Music Director
Jakub Hrůša
Director of Opera
Oliver Mears
Opera in Three Acts
The 47th performance by The Royal Opera at the Royal Opera House.
Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.
Generous support from
A co-production with The Metropolitan Opera, New York
This performance lasts approximately 3 hours and 50 minutes, including two intervals.
Act I
55 minutes
Interval
25 minutes
Act II
75 minutes
Interval
25 minutes
Act III
50 minutes
Credits
Music
George Frideric Handel
Libretto
arranged by Antonio Marchi after Ludovico Ariosto’s Orlando Furioso
Antonio Fanzaglia
Conductor
David Bates
Director
Richard Jones
Revival and Movement Director
Sarah Fahie
Designer
Antony McDonald
Lighting Designer
Lucy Carter
Performance materials for Alcina edited by Siegfried Flesch, published by Bärenreiter-Verlag, Kassel, performed by arrangement with Faber Music Ltd, London.
Cast
Alcina
Lisette Oropesa
Ruggiero
Emily D'Angelo
Morgana
Mary Bevan
Bradamante
Beth Taylor
Oronte
Ru Charlesworth
Atlante
Edward Grint
Oberto
Thomas Mayes
Dancers
Lauren Bridle, Michael Barnes, Jordan Cork, Ashton Hall, Sebastien Kapps, Bridget Lappin, Caroline Lofthouse, Ryan Munroe, Luke Murphy, Anthony Pereira, Jay Yule
Music credits
Orchestra
Orchestra of the Royal Opera House
Associate Concert Master
Melissa Carstairs
Continuo section
Cello
Hetty Snell
Double Bass
Tony Hougham
Theorbo
Sergio Bucheli, Eligio Luis Quinteiro
Harpsichord
Oliver John Ruthen, Edward Reeve
Production credits
Music Preparation
Oliver John Ruthven, Edward Reeve, Christopher Willis and Richard Hetherington
Assistant Director
Daniel Dooner
Assistant to the Movement Director
Caroline Lofthouse
Language Coach
Emma Abbate
The Royal Opera
Alcina, an enchantress, has lured many lovers to her island...
Alcina, an enchantress, has lured many lovers to her island. When she tires of them, she transforms them into animals. Ruggiero is her latest lover – and his wife, Bradamante, has vowed to rescue him.
ACT I
Bradamante has disguised herself as her brother, Ricciardo, and travelled to Alcina’s island with Atlante, who is disguised as ‘Melisso’, a sailor. They are greeted by Morgana, Alcina’s sister, who is immediately attracted to ‘Ricciardo’. Alcina tells the visitors they may stay on the island, and expresses her love for Ruggiero. They meet Oberto, a boy. Oberto is searching for his father Astolfo (Bradamante’s cousin). Bradamante and ‘Melisso’ suspect the boy’s father has been turned into a wild animal by Alcina.
When Bradamante and ‘Melisso’ question Ruggiero about his former life, Ruggiero – who has only a dim memory of Bradamante – scorns them. Morgana and her jealous lover, Oronte, argue fiercely; Bradamante recognizes her own feelings of resentment and pain in their dispute. Fuelled by his jealousy, Oronte tells Ruggiero that Alcina loves ‘Ricciardo’, hoping Ruggiero will rid him of his perceived rival.
Enraged by Oronte’s malicious charge, Ruggiero lashes out at Alcina, who is hurt by his accusation. Alcina assures Ruggiero of her love, but he is tormented by doubt. ‘Melisso’ barely prevents the unhappy Bradamante from revealing her true identity to Ruggiero. Ruggiero, who is now deeply uncertain of Alcina’s love, decides that ‘Ricciardo’ is half-mad with desire for Alcina, and insists that he (Ruggiero) and Alcina are passionate lovers with eyes only for each other. Oronte’s plan works: Alcina intends to prove her love for Ruggiero by turning ‘Ricciardo’ into a beast. Morgana warns Bradamante to escape and rejoices in her love for ‘Ricciardo’.
INTERVAL
ACT II
‘Melisso’ reveals himself as Atlante. This jogs Ruggiero’s memory, and makes him realise the extent of Bradamante’s suffering. Ruggiero’s love for Bradamante is reawakened, and he longs to leave the island and see her again. However, during his reunion with his wife, Ruggiero is suddenly seized with doubts: he suspects that Bradamante is Alcina in disguise and rejects her. Bradamante is infuriated. Alone, Ruggiero is torn between Alcina’s enchantments and his newlyremembered love for Bradamante. Alcina prepares to transform ‘Ricciardo’ into a beast but is interrupted by Morgana and Ruggiero, who insists there is no need for her to prove her love in this way. Alcina withdraws her spell. With Alcina’s permission, Ruggiero leaves to go hunting, ambiguously declaring his devotion to his lover.
To Alcina’s dismay, Oronte informs her that Ruggiero has left her. Morgana refuses to believe Oronte when he informs her that ‘Ricciardo’ is leaving too – and she rejects him again. Morgana witnesses the happy reunion of Ruggiero and ‘Ricciardo’. As Ruggiero bids farewell to the island, Alcina tries to prevent him from leaving with a spell, but her powers have abandoned her.
INTERVAL
ACT III
Morgana begs for Oronte’s forgiveness, but Oronte is conflicted. Ruggiero meets Alcina and explains why he must leave. Ruggiero defeats Alcina’s forces in battle. As Alcina’s powers wane, Oberto denounces her. Bradamante vows to remain on the island until all Alcina’s victims have been restored to freedom. All approach the urn that protects Alcina’s magical powers. With Bradamante, Atlante, Oronte and the animals beside him, Ruggiero smashes the urn. The island’s enchanted creatures – including Oberto’s father Astolfo – are restored. They celebrate their return to human form, and ponder the loss of the animal ways that they have experienced.
Guidance
Content suitable for all
Children under the age of five are not permitted into our theatres. Children over the age of five must have their own ticket and sit next to an accompanying adult.
Language
Sung in Italian with English surtitles, which are displayed on screens above the stage and around the auditorium.
Digital cast sheets
Guidelines
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